"So if you genuinely believe that it is unlikely or even impossible that the police would ever fabricate evidence in order to give the appearance of having solved a crime, it is time to reassess your belief. They have, they do, and they will again. If we learn one thing for these incidents, it is this: The police view themselves as above the law. And if we learn another thing, it is that they are."

On the 7th of July 2005 London was hit by a series of explosions. You probably think you know what happened that day. But you don't.

The police have, from the onset of their investigation, chosen to withhold from the public almost every bit of evidence they claim to have and have provably lied about several aspects of the London Bombings.

The mainstream news has willfully spread false, unsubstantiated and unverifiable information, while choosing to completely ignore the numerous inconsistencies and discrepancies in the official story.

The government has finally, after a year, presented us with their official ‘narrative’ concerning the event. Within hours it was shown to contain numerous errors, a fact since admitted by the Home Secretary John Reid. They have continuously rejected calls for a full, independent public inquiry. Tony Blair himself described such an inquiry as a ‘ludicrous diversion’. What don’t they want us to find out? (Excerpt from video.google.com)

Please visit site for more information:
http://www.julyseventh.co.uk

"There is an abundance of scientific and forensic evidence to support alternative theories, yet the BBC and other mainstream news corporations have continued to dismiss this information as conspiracy theory. 'The Conspiracy Files' and the BBC in general have failed to objectively present the detail of this evidence."

911 and the British Broadcasting Conspiracy - new documentary by Adrian Connock and David Shayler about the BBC's selective and distorted 911 coverage. With particular reference to the Conspiracy Files programme aired on BBC Two on February 18th 2007. (Excerpt from video.google.com)

Please visit this website for more information:
http://www.911truth.org

"See, this is what the media does. They never talk about the family members. They never talk about the rescue workers. The family members, rescue workers started this 9/11 truth movement and people have to understand that it's these people who are affected by 9/11 - who we are fighting for." –Luke Rudkowski

Seven years after the attacks of September the Eleventh, a global awakening has taken place, the likes of which the world has never seen. As the corporate-controlled media dwindles into extinction, a new breed of journalists and activists has emerged.

Join Alex Jones, Luke Rudkowski and others as they set out on a mission determined to expose the ruthless global elite, and alert the masses to the truth about 9/11.

Strap in and get ready to ride along as criminal overlords David Rockefeller, Zbigniew Brzezinski, Bill and Hillary Clinton, Alan Greenspan, John McCain, and many others are confronted about their lies and manipulation.

Including interviews with Jesse Ventura, Rosie O'Donnell, George Carlin, Willie Nelson and Martin Sheen, this film is unlike anything you have ever seen. the only question after viewing it is, will you become part of the Truth Rising.

The documentary provides an in-depth look at the plight of 9/11 first responders, many afflicted with serious health problems from the toxicity of Ground Zero. Truth Rising reveals and challenges the astounding arrogance and negligence of the government in regard to the heroic efforts of first responders, police, and fire-fighters. Truth Rising indicts the administration of Rudy Giuliani and that of the EPA and Christine Todd Whitman, who proclaimed the air in lower Manhattan was safe to breathe, contrary to numerous warnings to the contrary. (Excerpt from main website)

Please visit the official website for more information:
http://www.infowars.com/truthrising

"Shopping malls have really become the centers of many communities. Children, as well as adults, see a shopping center as just the natural destination to fill a bored life."

Through revealing personal stories, expert commentary, hilarious old film clips, dramatized vignettes, and "anti-commercial" breaks, Affluenza examines the high cost of achieving the most extravagant lifestyle the world has ever seen.

Last year, Americans, who make up only five percent of the world's population, used nearly a third of its resources and produced almost half of its hazardous waste. Add overwork, personal stress, the erosion of family and community, skyrocketing debt, and the growing gap between rich and poor, and it's easy to understand why some people say that the American Dream is no bargain. Many are opting out of the consumer chase, redefining the Dream, and making "voluntary simplicity" one of the top 10 trends of the '90s.

Affluenza travels across the country to show you men and women who are working and shopping less, spending more time with friends and family, volunteering in their communities, and enjoying their lives more. A brief sampling:(Excerpt from main website)

Please visit the official website for more information:
http://www.pbs.org

"If all of the votes have been counted in Florida and if all of the African American had the opportunity to cast a vote, George Bush would have never been President of the United States. We wouldn't be involved in a war in Iraq and the make up of the Supreme Court would be different."

Many have heard of the alleged voting irregularities that occurred during the presidential elections of 2000 and 2004. Until now, these incidents have gone under- reported and are commonly written-off as insignificant rumors or unintentional mishaps resulting from an overburdened election system.

American Blackout chronicles the recurring patterns of voter disenfranchisement from Florida 2000 to Ohio 2004 while following the story of Georgia Congresswoman Cynthia McKinney. Mckinney not only took an active role investigating these election debacles, but has found herself in the middle of her own after publicly questioning the Bush Administration about the 9/11 terrorist attacks. (Excerpt from main website)

Please visit the official website for more information:
http://americanblackout.com

"What the media don't want to tell you about is that Martin Luther King in the last years of his life was a leading critic of U.S. foreign and economic policy. And in fact, at the time in 1967-68, the mainstream media railed against Martin Luther King. A publication said he was speaking like he was a mouthpiece for Hanoi. He was viciously red baited in the news media."

The Assassination of Martin Luther King Jr. examines the details surrounding the assassination of the courageous civil rights leader and the years leading up to his tragic death. It's a little known fact that the alleged assassin, James Earl Ray, retracted his confession three days after confessing to the murder. This documentary dives deep into the days of the civil rights movements with news clips from the time, numerous footages of inspirational speeches, and interviews with journalists and other civil rights activists. This film also brings special attention to King's heavy influence on raising opposition to the Vietnam War, economic equality, and American foreign policy.

Please visit website for more information:
http://en.wikipedia.org

"Ever since MTV arrived in our living rooms, there has been an inordinate amount of emphasis on beauty and youth and appearance - none of which enters our consciousness through our ears"

Never have so few companies controlled so much of the music played on the radio and for sale at retail stores. At the same time, there are more bands and more ways to discover their music than ever. Music seems to have split in two - the homogenous corporate product that is spoonfed to consumers and the diverse independent music that finds devoted fans online and at clubs across the country.

BEFORE THE MUSIC DIES tells the story of American music at this precarious moment. Filmmakers Andrew Shapter and Joel Rasmussen traveled the country, hoping to understand why mainstream music seems so packaged and repetitive, and whether corporations really had the power to silence musical innovation. The answers they found on this journey–ultimately, the promise that the future holds–are what makes BEFORE THE MUSIC DIES both riveting and exhilarating.

At the heart of BEFORE THE MUSIC DIES are interviews with musicians, industry insiders, music critics, and fans that reveal how music has reached this moment of truth. Featured performances from a truly diverse group of artists, ranging from The Dave Matthews Band and Erykah Badu to Seattle street performers and Mississippi gospel singers show us that great music is always out there… as long as you know where to look. BEFORE THE MUSIC DIES will renew your passion for great music, and inspire you to play an active part in its future.(Excerpt from main website)

Please visit the official website for more information:
http://www.beforethemusicdies.com

"The executives, the editors in print media, the senior producers, executive producers in the visual media – these are the people who have the ideological bias and what’s probably almost as important – their personal friendships. They go to the same country clubs, they go to the same dinners, they socialize with a lot of the people that they cover." –Roger Charles, former Correspondent at ABC News

The mainstream news media, while Americans rely on it daily for the latest reports on world and domestic events, a recent study conducted by the Cronkite School of Journalism indicates that nearly 67% of Americans don’t trust major media for accurate reporting. Ask Americans specifically why they distrust the media and the answers are generally vague. After all, reports of news media abuses aren’t normally found on the front page or the nightly news. Nonetheless, they do exist. Today, standards in mainstream news reporting had more to do with career enhancement than reporting the truth.

Today the CFR maintains its’ goal is to “increase America’s understanding of the world.” However, the actual objective of this highly exclusive club is revealed by the rare admonitions of the insiders themselves. In the early 60’s, a Georgetown University Professor collects information for a book favorable to the network of powerful men who founded the CFR. For two years, Professor Carroll Quigley is allowed to examine the confidential papers and secret records of this network. Quigley reveals that these men aim “to create a world system of financial control, in private hands, able to dominate the political system of each country, and the economy of the world as a whole.” In short, they seek total and quiet control of the entire world and the CFR is the most visible conduit for carrying out that agenda.(Excerpt from film)

Please visit site for more information:
http://www.jbs.org

"In recent years, Big Pharma has pushed its way into the traditional doctor/patient relationship and found a new way to increase sales by targeting patients directly and independently, largely through television advertising. Between 1996 and 2004, industry spending on direct-to-consumer advertising (or DTC) rose over 500 percent."

Big Bucks, Big Pharma pulls back the curtain on the multi-billion dollar pharmaceutical industry to expose the insidious ways that illness is used, manipulated, and in some instances created, for capital gain. Focusing on the industry's marketing practices, media scholars and health professionals help viewers understand the ways in which direct-to-consumer (DTC) pharmaceutical advertising glamorizes and normalizes the use of prescription medication, and works in tandem with promotion to doctors. Combined, these industry practices shape how both patients and doctors understand and relate to disease and treatment. Ultimately, Big Bucks, Big Pharma challenges us to ask important questions about the consequences of relying on a for-profit industry for our health and well-being. (Excerpt from main website)

Please visit the official website for more information:
http://www.mediaed.org

"FEMA knew at eleven o’clock on Monday that the levees had breached, at 2 o’clock they flew over the 17th St. Canal and took video of the breaches, by midnight on Monday the White House knew, but none of us knew."

In this half-hour film, Greg Palast and his team travel to New Orleans to investigate what has happened since Katrina devastated the Gulf Coast last year. On his visit, he discovers that the population of New Orleans is miniscule, the reconstruction sparse, suicide rates are climbing, and many have not, nor know how to, return to the city that care forgot. He examines why residents had to leave, what really caused the flood and why they aren’t returning. (Excerpt from main website)

Please visit the official website for more information:
http://gregpalast.com

"The Daily Mirror was the best of them. It was a tabloid when tabloids still meant a peoples' paper that respected its' readers and earned their trust and affection...This film is a personal tribute, but it's also the story of what happened to the once popular Mirror. How the reporting of the blood, sweat, and tears of ordinary people has changed out of all recognition. Above all, it's the story of a rise of a new kind of tabloid and a new kind of media power now set to dominate much of the world."

The British public were told that the new information technology, heralded by The Sun's move to Wapping, would bring a greater variety of newspapers and a more diverse media. But it produced a contracted press controlled by ever fewer proprietors. John Pilger describes the downfall of his old paper and the all-pervasive influence of Rupert Murdoch. (Excerpt from video.google.com)

Please visit the official website for more information:
http://www.johnpilger.com

"It's a sobering fact that the hidden power structure of international finance has exerted tremendous influence over public opinion in this country through its' virtual control of higher education and major segments of mass communication." –G. Edward Griffin

The purpose of this presentation is to show that the conspiratorial view of history, particularly of recent history, is the correct view. That there is a secret and powerful combine at work today. That it constitutes the unseen government of the United States.

Please visit the official website for more information:

"This series is about how those in power have used Freud's theories to try and control the dangerous crowd in an age of mass democracy." –Adam Curtis

Sigmund Freud, the founder of psychoanalysis, changed the perception of the human mind and its workings profoundly. His influence on the 20th century is widely regarded as massive. The documentary describes the impact of Freud's theories on the perception of the human mind, and the ways public relations agencies and politicians have used this during the last 100 years for their "engineering of consent".

Among the main characters are Freud himself and his nephew Edward Bernays, who was the first to use psychological techniques in advertising. He is often seen as the "father of the public relations industry". Freud's daughter Anna Freud, a pioneer of child psychology, is mentioned in the second part, as well as Wilhelm Reich, one of the main opponents of Freud's theories.

Along these general themes, The Century of the Self asks deeper questions about the roots and methods of modern consumerism, representative democracy and its implications. It also questions the modern way we see ourselves, the attitude to fashion and superficiality. (Excerpt from Wikipedia)

Please visit the official website for more information:
http://www.bbc.co.uk

"In 1991, a 20-year old Linus Torvalds, a thin, bespectacled, Swedish- speaking Finnish computer science student sends a posting to an Internet newsgroup asking for advice on how to make a better operating system. His project is a hobby, he says, and would never become ‘big and professional’. But in ten years he and his loose alliance of hackers all over the world creates an operating system – Linux – that challenges Windows 2000 for the server market and is now poised to dominate the next generation of handheld and desktop computers. What makes Linux different, and deeply troubling for traditional software companies, is that no one owns it. Every user is free to adapt it in any way they wish, as long as they pass it on to others on the same terms.'"

The Code presents the first decade of Linux from 1991 to 2001. Besides Torvalds, it includes many of his closest allies in development process, that is nowadays seen as the greatest success story of the Internet culture. Eventually, Linux becomes a viable business solution within the computer industry. Media loves the story of ‘a single hacker against the forces of darkness’. ‘Linux’ becomes a catch phrase. Torvalds turns into an international media star. No more a shy nerd, but a relaxed, witty media performer par excellence. Linus is a Jesus for a politician, respected and adored by both Linux enthusiasts, the counter-culture – and the big businessmen. A rare combination, this time or any other. But even after all this attention Linus Torvalds remains, as a person, an enigma. When interviewed in the media, he is always asked the same questions and usually giving the same answers too. We think we know him, but do we really? Why did he put his code into the Net for free, initially? Many can still not understand it. Maybe because ‘given enough eyeballs, all bugs are shallow’, giving a way to a better product? Or is there something more to it? (Excerpt from main website)

Please visit the official website for more information:
http://www.code.linux.fi

"The CIA’s unscrupulous experiments on human beings continued the Nazi drug experiments they learned of during the liberation of the Dachau concentration camp."

Frederick, Maryland. More than 40 years after his death, the body of former CIA scientist Dr. Frank Olson has been exhumed. Olson’s son Eric is convinced his father was murdered by agents of the American government because he wanted to leave the CIA. Dr. Frank Olson was an expert for anthrax and other biological weapons and had top security clearance. Forensic pathologists at George Washington University performed an autopsy and concluded that Olson probably was the victim of a violent crime.

It has been eight years since the exhumation. Eric Olson is still searching for the reasons behind his father’s death in November of 1953. Eric was nine years old at the time. It’s a quest he inherited as the oldest of three children. To solve the mystery of their father’s death. (Excerpt from main website)

Please visit the official website for more information:
http://www.frankolsonproject.org

"History tells us that human beings have short memories. Who thinks now in the United States about what happened in Somalia in 1993? Nobody. Who thinks about what happened in Bosnia/Herzegovina? Nobody thinks about that. History is written by the victors. All that will be left from this war are just scripts and some history books, and that's it. Life will continue. We'll go on. There will be other problems, there will be other things to think about. There will be one single thing that will be left: victory, and that's it. People like victory, they don't like justifications. You don't have to justify it, once you are victorious, that's it."

CONTROL ROOM, by Jehane Noujaim (Startup.com), an award-winning Arab-American filmmaker who has lived within and embraced both worlds, provides an opportunity to re-examine what is perhaps the most pressing question of international relations today: "is America radicalizing or stabilizing the Arab world?" Without miring itself in shadowy conspiracy theories, CONTROL ROOM provides a balanced view of Al-Jazeera's presentation of the second Iraq war to their worldwide Arab audience, and in so doing calls into question many of the prevailing images and positions offered up by the U.S. news media. CONTROL ROOM's view inside Al-Jazeera-a network branded "Osama Bin-Laden's mouthpiece" and subject of intense criticism from U.S. administration officials for showing images of Iraqi casualties and American POWs that American viewers never saw-suggests that its views on news reportage might actually be more in tune with democratic ideals than those of its Western counterparts.

CONTROL ROOM neatly bridges the gap between timeless and timely; timeless because it locates itself in the midst of the ongoing cultural clash between Western and Arab worlds, timely because it does so through the prism of satellite television's impact on how viewers receive information worldwide - from news providers, driven by the patriotism of their audiences, to Army information officers, driven by military objectives. CONTROL ROOM is a seminal documentary that explores how Truth is gathered, presented, and ultimately created by those who deliver it. (Excerpt from main website)

Please visit the official website for more information:
http://www.noujaimfilms.com

"One of the questions that comes up periodically is to what extent could a corporation be considered to be psychopathic. And if we look at a corporation as a legal person, that it may not be that difficult to actually draw the transition between psychopathy in the individual to psychopathy in the corporation." –Dr. Robert Hare

The Corporation is a 2003 Canadian documentary film critical of the modern-day corporation, considering it as a class of person and evaluating its behaviour towards society and the world at large as a psychologist might evaluate an ordinary person. This is explored through specific examples. (Excerpt from Wikipedia)

Please visit the official website for more information:
http://www.thecorporation.com

"What we think about diamonds, is in fact, a myth. At the center of that myth is an illusion, that diamonds are valuable because they are rare. When writer Edward Epstein set out to investigate the diamond trade, he discovered that diamonds aren't rare at all."

Second only to Christmas, Valentine's Day is the holiday when diamonds are most often given as the ultimate token of love. Central to the diamond's role as a romantic symbol is the belief that diamonds are one of the rarest, most precious gifts for a loved one. But it's only a myth--diamonds are found in plentiful supply. FRONTLINE examines how the great myth about the scarcity of diamonds and their inflated value was created and maintained over the decades by the diamond cartel. This report chronicles how one family, the Oppenheimers of South Africa, gained control of the supply, marketing, and pricing of the world's diamonds. (Excerpt from main website)

Please visit website for more information:
http://www.pbs.org

"When Baghdad exploded under bombs, television chose to bring us fireworks. But does this distant and spectacular image tell us what is really happening on the ground, how it feels or what it means? Television has the means to take us anywhere and show us anything. It can bring us the physical experience of war with all its' horrors, like no other medium, and yet the image of American war on television is disembodied, bloodless, and unreal."

The invasion of Iraq was the most closely documented war ever fought. Lasting only 800 hours, it produced 20,000 hours of video, but those images were tightly controlled, producing a monolithic view of combat sanitised and controlled by the Pentagon.

Enemy Image traces the ways us television has covered war, starting with Vietnam in the 1960s and shows how the military has devised ever-improving means of ensuring the American public never again has the real face of combat beamed directly into their living rooms. Comparing footage of Vietnam, including rarely-seen material shot in North Vietnam, to coverage of Iraq and using extensive interviews with veteran war correspondents and news anchors, Mark Daniels demonstrates how television that once revealed the truth is now increasingly used to hide it. (Excerpt from main website)

Please visit the official website for more information:
http://www.cbc.ca

"This all may start making more sense when you start understanding that common citizens aren't meant to know what is happening at the top. Is there any dispute that to gain power in our day in age, it takes strategy and intelligence rather than brute force? Logic will tell you that in any sport or game, to claim victory, you must keep your moves strategic and secret. Why would it be any different in global politics?"

The more humanity strays from its’ origin, the more we deny our bond with nature, the farther from perfection we become. We are the only creatures on the planet that use symbols in reference to something else. We use symbols for absolutely everything the mind can conceive of.  There is at least one word or icon or gesture to insinuate everything our five senses can detect and then some.  But along with this beautiful gift comes a flaw. Most people are unwilling to seek and create their own interpretations of these symbols.  Instead, they blindly submit to preconceived definitions and connotations given by sources unknown. Because of this, many things have been predetermined in our understanding of life without our knowledge. Words can be perverted and used to manipulate rather than to inform. Symbols can be used to segregate rather than unite. And those given the responsibility and authority to disseminate information to the public possess the ability to do with it as they choose. (Excerpt from film)

Please visit the official website for more information:
http://www.talismanicidols.org

"HISTORY MAY BE REVISED EVEN AS IT IS BEING WRITTEN"

"Evidence of Revision" is a 5-DVD, 8 hour long documentary series whose purpose is to present the publicly unavailable and even suppressed historical audio, video, and film recordings largely unseen by the American public relating to the assassination of the Kennedy brothers, the little known classified "Black Ops" actually used to intentionally create the massive war in Viet Nam, the CIA "mind control" programs and their involvement in the RFK assassination and the Jonestown massacre and other important truths of our post-modern time.

The U.S. Government's Orwellian "Office of Public Diplomacy" has been in existence in various forms and under various names since World War ONE. The union of American governance and American corporate interests began in Abraham Lincoln's day and the massaging of "public truth" began even before the Roman Empire. The more you know about "real history" versus "official history", the better equipped you are to see behind the lies of our times, even as they are told to you. Some of us knew what was really happening even before the second plane hit the tower. (Excerpt from main website)

Please visit the official website for more information:
http://www.wingtv.net/evidenceofrevision.html

"It's not surprising that the fast food and restaurant industry is the biggest employer of minimum wage labor in the United States. And so surprise, surprise...they oppose increases in the minimum wage." –Eric Schlosser, author of Fast Food Nation

Low wages, erratic schedules, no health care, work-school conflicts. This film looks beyond the stereotypes of carefree and undeserving youth to uncover a reality that millions of young working people know all too well: no matter how hard you work and how well you do in school, it can be difficult to stay afloat when you're coming of age in a "McJob" economy. But there are ways to improve things — and young people are taking the lead. (Excerpt from main website)

Please visit the official website for more information:
http://laborcenter.berkeley.edu

"This war can not have witnesses. It can not have witnesses because it is based on lies. The Americans have permitted only embedded journalists to go to Fallujah. Despite that, for example the image of the marine that shoots the wounded and unarmed warrior inside the Fallujah Mosque has gone out. And exactly because this image has gone out, we do not know how, and because it has circulated all over the world, the NBC journalist that has recorded it has been immediately expelled from the embedded body."

Fallujah, The Hidden Massacre is a documentary film by Sigfrido Ranucci and Maurizio Torrealta which first aired on Italy's RAI state television network on November 8, 2005. The film documents the use of weapons that the documentary asserts are chemical weapons, particularly the use of incendiary bombs, and alleges indiscriminate use of violence against civilians and children by military forces of the United States of America in the city of Fallujah in Iraq during the Fallujah Offensive of November 2004.

The film's primary themes are:

• Establishing a case for war crimes against civilians committed by the United States.
• Documenting evidence for the use of chemical devices by the US military.
• Documenting other human rights abuses by American forces and their Iraqi counterparts. (Excerpt from Wikipedia)

Please visit the official website for more information:
http://www.rainews24.rai.it (Italian)

"All of this brings us to the perhaps most interesting issue about intellectual property and about copyright. And that is, who really owns what? And what is the purpose of copyright?"

Good Copy Bad Copy documents the conflict between current copyright law and recent technological advances that enable the Sampling of music, as well as the distribution of copyrighted material via peer-to-peer file sharing searchengines such as The Pirate Bay. MPAA (Motion Picture Association of America) CEO Dan Glickman is interviewed in connection with a raid by the Swedish police against The Pirate Bay in May 2006. Glickman concedes that piracy will never be stopped, but states that they will try to make it as difficult and tedious as possible. Gottfrid Svartholm and Fredrik Neij from The Pirate Bay are also interviewed, with Neij stating that The Pirate Bay is illegal according to US law, but not Swedish law.

The interviews document attitudes towards art, culture and copyright in a number of countries, including the US, Sweden, Russia, Nigeria, and Brazil.

The situation in Nigeria and Brazil is documented in terms of innovative business models that have developed in response to new technological possibilities and changing markets. (Excerpt from Wikipedia)

Please visit the offical website for more information:
http://www.goodcopybadcopy.net

"'The perfect search engine,' says Google co-founder Larry Page, 'would understand exactly what you mean and give back exactly what you want.' Given the state of search technology today, that's a far-reaching vision requiring research, development and innovation to realize. Google is committed to blazing that trail. Though acknowledged as the world's leading search technology company, Google's goal is to provide a much higher level of service to all those who seek information, whether they're at a desk in Boston, driving through Bonn, or strolling in Bangkok.'"

What if all the information in the world was categorized and easily searchable? What if all the news from around the world, all books, written texts, photos and videos that exist on a place in the world would be collected, and would be available everywhere? That is precisely the goal of Google and it will not be long for it to be realized. Through the well-known search engine, Google Earth, where all information is classified by geographical location, along with Google Books, a project where Google digitizes complete libraries.

Tegenlicht visits the head office of Google in Mountain View, California and spoke with Vint Cerf, who commissioned by the American army is the forerunner of the developed Internet. Cert now works at Google, where he helps to create and develop new possibilities for the Internet. How does he see the development of the Internet, and the role that Google plays?

Google grows like a cabbage and they continue to hire more and more smart people in order to achieve their company goal faster. But is the company itself also aware of the dangers and the consequences which it has as the organizer of of all the information in the world? Is Google like the new library of Alexandria, but far-faster and skilful information tool? The intentions of Google seem well, given the company motto ' Don' t be evil'. But in China to cooperate in censorship, Google have lost a lot of confidence. For who insures us that Google will not do this elsewhere? In addition to the millions of daily users grateful for Google's attempts in increasing information flows in the right direction, there are more and more people who see Google as a new Big Brother, which not only determines what information is available, but also who, what, and when the information has been searched.(Excerpt from main website)

Please visit the offical website for more information:
http://www.vpro.nl

"Now absolutely no one disagrees that 9/11 was a conspiracy. Conspiracy is at the heart of the official story, after all – a conspiracy perpetrated allegedly by Osama bin Laden. But what if the conspiracy were hatched not in a cave in Afghanistan, but in Washington, D.C., at the highest levels of the US government? What if the public found out the official story is a Big Lie? How might that change plans for endless war?"

THE GREAT CONSPIRACY: The 9/11 News Special You Never Saw is a 70-minute sequel to The Great Deception. That is a ground-breaking 44-minute video also by Barrie Zwicker. He was the first mainstream journalist in the world to go on air (in January 2002) and ask hard questions about the official story of 9/11. The Great Deception is a compilation of his series of seven commentaries on 9/11. In The Great Conspiracy, Zwicker updates and expands his critique. He analyses the use of fear to befuddle the public. He deconstructs the so-called "war on terrorism." He examines in depth the failure of the military on 9/11 and George Bush's highly inappropriate behaviour that day. He finds the 9/11 Commission to be a total coverup operation. Throughout, he analyses the role of the mainstream media as complicit in keeping the public massively misinformed and befuddled. And he suggests what we can do. Those who have seen both works find them complementary. (Exceprt from main website)

Please visit the official website for more information:
http://www.greatconspiracy.ca

"The late Carl Sagan said 'We've arranged a global civilization in which most crucial elements profoundly depend on science and technology. We've also arranged things so that almost no one understands science or technology. We might get away with it for a while, but sooner or later, this combustible mixture of ignorance and power is going to blow up in our faces."

Are we making Holes in Heaven? HAARP (High Frequency Active Auroral Research Program) is a controversial high frequency radio transmitter, or "ioniospheric heater," which is believed to be descended from the works of Nikola Tesla and is operated by the U.S. Navy/Air Force and Phillip Laboratories in remote Gakona, Alaska.

Using HAARP, the military can focus a billion-watt pulsed radio beam into our upper atmosphere, ostensibly for ionospheric research. This procedure will form extremely low frequency waves and send them back to the Earth, enhancing communications with submarines and allowing us to "see" into the Earth, detecting anything from oil reserves to underground missile silos.

However, several researchers claim HAARP poses many dangers, including blowing thirty-mile holes in the Earth's upper atmosphere. They also warn of possible disruption of the subtle magnetic energies of our Earth and ourselves.

Holes in Heaven? is a prime example of grassroots filmmaking by producer Paula Randol-Smith and Emmy-winning director Wendy Robbins. Narrated by Martin Sheen, the film, investigates HAARP, its history and implications, and examines the dangers and benefits of high and low frequencies and of electromagnetic technology.(Excerpt from main website)

Please visit the official website for more information:
http://www.holesinheaven.com

"Modern America first saw light on a Hollywood screen. It was largely the product of six movie studios established in the 1920’s and run for over thirty years by a group of Jewish immigrants. They had strikingly similar backgrounds."

Credit writer-director Simcha Jacobovici with ambition: to convert Neal Gabler's 420-page book study, An Empire of Their Own: How The Jews Invented Hollywood, into a coherent documentary. Hollywoodism: Jews, Movies, and the American Dream, playing at the Coolidge Corner,is quite a film story, of how a group of impoverished Jews immigrants from Eastern European shtetls eventually became czars of the studio system: Carl Laemmle and Adolph Zukor at Universal, Louis B. Mayer at MGM, Harry Cohn at Columbia, and the three Warner Brothers. The movies they green-lighted were thematic affirmations of their own rags-to-unbelievable riches sagas: asserting that anyone with chutzpah can make it in the USA, including little guys and outsiders, that there's an inevitable happy ending at the end of the rainbow. Since everybody went to Hollywood movies, and breathed the utopian cant of studio product, these Jewish moguls could be said to have invented "the American Dream." (Excerpt from website)

Please visit official website for more information:
http://www.simchaj.ca

"The people can always be brought to the bidding of their leaders. That is easy. All you have to do is tell them that they are being attacked and denounce the peacemakers for lack of patriotism and exposing the country to danger. It works the same in any country." –Herman Goering, Nazi Reich Marshall

Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire examines how a radical fringe of the Republican Party used the trauma of the 9/11 terror attacks to advance a pre-existing agenda to radically transform American foreign policy while rolling back civil liberties and social programs at home. The documentary places the Bush Administration's false justifications for war in Iraq within the larger context of a two-decade struggle by neoconservatives to dramatically increase military spending in the wake of the Cold War, and to expand American power globally by means of military force. (Excerpt from video.google.com)

Please visit the official website for more information:
http://www.hijackingcatastrophe.org

"When filmmakers approach us with the request for military production assistance, we see this as a great opportunity to tell the American public something about the U.S. military and help recruiting and retention at the same time. And we’ve seen recently in surveys that large numbers of Americans based their primary impressions of the U.S. military from entertainment, movies, and TV shows. A significant number of people. So it’s even proved scientifically that it’s in our best interest to be involved in the process." –Head of Office of the Secretary of Defense Public Affairs

The American Army's intrusion in Hollywood war films may surprise some. In fact, the U.S. Army secret services have had close ties with American filmmakers for several decades. The movie Top Gun, for instance, was filmed with the support and approval of the U.S. Army. There is even a special bureau, the Film Liaison Office, that oversees these issues for the Pentagon and the Capitol. It has a clear mission: studying the scripts of American war movies, deciding whether to offer them support or not, depending on their interest for the country's military leaders. Scripts are cut and sometimes watered down. Characters are changed and historical truth, sometimes fudged. One director might be loaned combat jets and ships, and all their equipment, enabling him to shoot the scenes written by his scriptwriters. Another director, whose script displeases the army, may be refused any kind of support. That was the case for the film Platoon, deemed overly critical of the Vietnam War. It is then up to the producers to look for shooting locations and equipment outside the United States. Often, at considerable cost.

In his Pentagon office, the head of the Film Liaison Office makes no secret of his goals. He wants to encourage films which flatter the U.S. Army, win support for its actions on the battle field, and encourage more soldiers to sign up. In short: pure propaganda. Few great war films have escaped the influence, or even the censure, of the U.S. Army. (Excerpt from main website)

Please visit site for more information:
http://www.cbc.ca

"Increasingly what we're seeing today, in movies and in the news, which is a major disseminator of the dominant ideology, you're seeing the black male as rapist, as drug abuser, as murderer. Basically, as a major threat to white suburban life." –Gail Dines, Ph.D

This award-winning documentary links everyday black men from various socioeconomic backgrounds with some of Black America's most progressive academics, social critics and authors to provide an engaging, candid dialogue on black masculine identity in American culture. Featuring interviews with bell hooks, Michael Eric Dyson, John Henrick Clarke, Dr. Alvin Poussaint, MC Hammer, and others.

Sections: Introduction | Images | The Cool Pose | Emotions | Black Male Homosexuality | Black Males: Violence and Fears | Sexism: Men's Violence Against Women | Fathers | The Future (Excerpt from main website)

Please visit the official website for more information:
http://www.mediaed.org

"The purpose of this film is to help explain how and why we have technologically advanced, yet declined in health, freedoms, and quality of life."

This feature length documentary about medical madness, cloaked in bioterrorism preparedness, will awaken the brain dead. It exposes health officials, directed by the Central Intelligence Agency (CIA), for conducting a "War of Terror” that is killing millions of unwitting Americans.

This monumental film exposes the agents and agencies behind: Hollywood films and the media creating a profitable culture of bioterrorism; the "War on Terrorism" used to control populations; the most lucrative war in history-the "War on Cancer;" the onslaught of dozens of new immunological diseases and deadly flues; the "War on AIDS" triggered by contaminated vaccines; the anthrax mailings resulting in restricted freedoms, and sales of toxic drugs, deadly vaccines, and more. (Excerpt from video.google.com)

Please visit the official website for more information:
http://www.DrLenHorowitz.com

"The media are among the most powerful institutions on earth ‘cause they’re not only among the wealthiest, but they are the way the whole world views us and we view each other. " –Amy Goodman

Part scathing critique, part call to action, "Independent Media In A Time Of War" is a hard-hitting new documentary by the Hudson Mohawk Independent Media Center (www.hm.indymedia.org). This film is composed of a speech given by Amy Goodman, host of Democracy Now! illustrated by clips of mainstream media juxtaposed with rare footage from independent reporters in Iraq. The documentary argues that dialogue is vital to a healthy democracy. "Independent media has a crucial responsibility to go to where the silence is," says Amy Goodman, "to represent the diverse voices of people engaged in dissent." She makes a compelling argument that the commercial news media have failed to represent the "true face of war." (Excerpt from video.google.com)

Please visit the official website for more information:
http://www.hm.indymedia.org

"To a great extent, advertising tells us who we are and who we should be. What does advertising tell us today about women? It tells us just as did it 10 and 20 and 30 years ago that what's most important about women is how we look. The first thing the advertisers do is surround us with the image of ideal female beauty so we all learn how important it is for a women to be beautiful and exactly what it takes." –Jean Kilbourne

Jean Kilbourne continues her groundbreaking analysis of advertising's depiction of women in this most recent update of her pioneering Killing Us Softly series. In fascinating detail, Kilbourne decodes an array of print and television advertisements to reveal a pattern of disturbing and destructive gender stereotypes. Her analysis challenges us to consider the relationship between advertising and broader issues of culture, identity, sexism, and gender violence.

Sections: Does the beauty ideal still tyrannize women? | Does advertising still objectify women's bodies? | Are the twin themes of liberation and weight control still linked? | Is sexuality still presented as women's main concern? | Are young girls still sexualized? | Are grown women infantilized? | Are images of male violence against women still used to sell products? (Excerpt from main website)

Please visit the official website for more information:
http://www.mediaed.org

"In a totalitarian state, it doesn't matter what people think, since the government can control people by force using a bludgeon. But when you can't control people by force, you have to control what people think, and the standard way to do this is via propaganda (manufacture of consent, creation of necessary illusions), marginalizing the general public or reducing them to apathy of some fashion." –Noam Chomsky

Manufacturing Consent: Noam Chomsky and the Media (1992) is a documentary film that explores the political life and ideas of Noam Chomsky, a linguist, intellectual, and political activist. Created by two Canadian independent filmmakers, Mark Achbar and Peter Wintonick, it expands on the ideas of Chomsky's earlier book, Manufacturing Consent: The Political Economy of the Mass Media, which he co-wrote with Edward S. Herman.

The film presents and illustrates Chomsky's and Herman's propaganda model, the thesis that corporate media, as profit-driven institutions, tend to serve and further the agendas of the interests of dominant, elite groups in the society. A centerpiece of the film is a long examination into the history of The New York Times's coverage of Indonesia's invasion and occupation of East Timor, which Chomsky claims exemplifies the media's unwillingness to criticize an ally. (Excerpt from Wikipedia)

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http://en.wikipedia.org

"Everything on MTV is a commercial, that is all that MTV is. Sometimes it's an explicit advertisement paid for by a company to sell a product. Sometimes it's going to be a video for a music company there to sell music. Sometimes it's going to be the set that's filled with trendy clothes and stuff there to sell a look that will include products on that set. Sometimes it will be a show about an upcoming movie paid for by the studio, though you don't know, to hype a movie that's coming out from Hollywood. But everything is an infomercial. There is no non-commercial part of MTV."

They spend their days sifting through reams of market research data. They conduct endless surveys and focus groups. They comb the streets, the schools, and the malls, hot on the trail of the "next big thing" that will snare the attention of their prey--a market segment worth an estimated $150 billion a year. They are the merchants of cool: creators and sellers of popular culture who have made teenagers the hottest consumer demographic in America. But are they simply reflecting teen desires or have they begun to manufacture those desires in a bid to secure this lucrative market? And have they gone too far in their attempts to reach the hearts--and wallets--of America's youth?

FRONTLINE correspondent Douglas Rushkoff examines the tactics, techniques, and cultural ramifications of these marketing moguls in "The Merchants of Cool." Produced by Barak Goodman and Rachel Dretzin, the program talks with top marketers, media executives and cultural/media critics, and explores the symbiotic relationship between the media and today's teens, as each looks to the other for their identity.

Teenagers are the hottest consumer demographic in America. At 33 million strong, they comprise the largest generation of teens America has ever seen--larger, even, than the much-ballyhooed Baby Boom generation. Last year, America's teens spent $100 billion, while influencing their parents' spending to the tune of another $50 billion. (Excerpt from main website)

Please visit the official website for more information:
http://www.pbs.org

"This is way out of the realm of fiction or supposition or conspiracy theory or speculation. This is absolute documented fact."

It is one of the ill-kept secrets of America's intelligence agencies--for decades, they have worked virtually non-stop to perfect means of controlling the human mind. But while many have suspected the existence of these projects, the details have long been preserved.

MIND CONTROL blows the lid off years of chilling experiments, drawing on documents reluctantly released through the Freedom of Information Act and interviews with some of the victims, including a woman whose past was literally taken away. Hear from John Marks, the author of In Search of the Manchurian Candidate, who broke the story of the CIA's abuses by unraveling the mysteries contained in financial records. All the other records pertaining to the experiments were destroyed by the agency in an attempt to prevent the details from ever being known.

After viewing this important program, you'll have reason to wonder about your own thoughts... (Excerpt from main website)

Please visit the offical website for more information:
http://store.aetv.com

"The media's the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that's power. Because they control the minds of the masses." –Malcolm X

This is a well researched documentary that exposes the "White" Media's long-term agenda to standardize Caucasian people as the "social norm" for general society. Through the globalization and centralization of the "White" media and its constant propagation of repetitive images depicting Caucasians in positive roles and as protagonists while usually depicting Non-Caucasians as background characters and antagonists -- which are often connected to negative themes and stereotypes -- the media elite have been able to effectively condition general society into subconsciously adhering to a racist social hierarchy in which Caucasian people are at the very apex.

The documentary addresses many modern-day internalized racist psychological dispositions (subconscious forms of internalized racism) which are unknowingly passed down from generation to generation due to the globalization and pervasiveness of "Whiteness" a cultural assimilation process of which, is directly derivative to historical European expansionism, colonialism, and imperialism. (Excerpt from video.google.com)

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http://opposingdigits.com

"These weapons are more dangerous than atomic destruction. With knowledge of the brain, we may transform, we may shape, direct, robotosize man. I think the great danger of the future is that we will have roboticize human beings who are not aware that they have been roboticized." –Dr. Jose Delgado

The Phoenix Program, assassinating suspected VC sympathizers in a systematic manner, worked well during the Vietnam War and is the blueprint for the current black op targeting thousands of loyal Americans using state of the art microwave (MW) and radio frequency radiation (RFR) weapons. The motivation to suppress domestic dissidents and to assassinate loyal American opposition stems from the perception of dissent against the war as treason. This philosophy is stated very clearly in the MindWar paper written by NSA General Aquino. The DOD has a huge stake in futuristic technology that kills by ionizing and non-ionizing radiation, leaving little or no trace. The indiscriminant killing of the Phoenix Program continues on American soil. The terms soft kill, slow kill and silent kill refer to the new way of killing the enemy in conflicts short of war and the small wars of the future.

The counterinsurgency doctrine has now been applied to the home front, so that the perceived betrayal of the military in Vietnam will not be repeated. The generation of CIA and military intelligence led by Shackley, Helms, Casey, Abrams, Singlaub, Secord, John B. Alexander, Michael Aquino, Paul Vallely, and others have built the perfect beast, using selective assassination that leaves no trace. The ability to cull the human herd with Silent Kill technology allows a few personalities to remake the entire society in their own image. (Excerpt from main website)

Please visit the offical website for more information:
http://www.monarchnewphoenix.com

"When you have a culture where ideas are not treated as being connected to belief or action but are just commodity and just to be used and attach – “oh, diversity, let’s use that to sell Benetton sweaters, community, let’s use that for Starbucks” – the ideas themselves are devalued." –Naomi Klein

In the age of the brand, logos are everywhere. But why do some of the world's best-known brands find themselves on the wrong end of the spray paint can -- the targets of anti-corporate campaigns by activists and protesters?

No Logo, based on the best-selling book by Canadian journalist and activist Naomi Klein, reveals the reasons behind the backlash against the increasing economic and cultural reach of multinational companies. Analyzing how brands like Nike,The Gap, and Tommy Hilfiger became revered symbols worldwide, Klein argues that globalization is a process whereby corporations discovered that profits lay not in making products (outsourced to low-wage workers in developing countries), but in creating branded identities people adopt in their lifestyles.

Using hundreds of media examples, No Logo shows how the commercial takeover of public space, destruction of consumer choice, and replacement of real jobs with temporary work - the dynamics of corporate globalization - impact everyone, everywhere. It also draws attention to the democratic resistance arising globally to challenge the hegemony of brands. (Excerpt from main website)

Please visit the official website for more information:
http://www.naomiklein.org

"The greatest enemy of knowledge is not ignorance...it is the illusion of knowledge."

A thought-provoking and powerful documentary film on the current and historical root causes of the Israeli-Palestinian conflict. Unlike any other film ever produced on the conflict -- 'Occupation 101' presents a comprehensive analysis of the facts and hidden truths surrounding the never ending controversy and dispels many of its long-perceived myths and misconceptions.

The film also details life under Israeli military rule, the role of the United States in the conflict, and the major obstacles that stand in the way of a lasting and viable peace. The roots of the conflict are explained through first-hand on-the-ground experiences from leading Middle East scholars, peace activists, journalists, religious leaders and humanitarian workers whose voices have too often been suppressed in American media outlets.

The film covers a wide range of topics -- which include -- the first wave of Jewish immigration from Europe in the 1880's, the 1920 tensions, the 1948 war, the 1967 war, the first Intifada of 1987, the Oslo Peace Process, Settlement expansion, the role of the United States Government, the second Intifada of 2000, the separation barrier and the Israeli withdrawal from Gaza, as well as many heart wrenching testimonials from victims of this tragedy. (Excerpt from main website)

Please visit the official website for more information:
http://occupation101.com

"What piracy has demonstrated to us is still there is a demand for music. We would be a lot more worried about this whole debate if people were walking away from music completely. What they’re saying is that they want it in a different format, what they’re saying is that they want to be able to have more control over it. What we need to do is to find a way to ensure that in that process that creators get paid." –Catherine Saxberg, Executive Director, CMPA

Each day, millions of youths from Canada and around the world download music and movies off of the Internet. This epidemic of "unauthorized" downloading has been cited by the record and film industries as being the prime cause for billions in losses. Politicians have come under tremendous pressure to pass legislation on the issue.

But despite all the media frenzy on the piracy crackdowns, there's been very little attention to the topic itself. At the very best, news reporters regurgitated the contents of an industry press release. There was nothing of substance, which is where this documentary fits in: we wanted to cover the issue in-depth. We interviewed industry execs, copyright lawyers, pirates, consumers, artists, and everyone we could think of - and made you this film. (Excerpt from main website)

Please visit the official website for more information:
http://www.piracydocumentary.com

"The purpose of education is to change the thoughts, actions, and feelings of students. Hitler wanted to control the education system in Germany, Stalin did in Russia, and Mao Zedong in China. You have to get a hold of the minds of the young, where you break the person's values, you break their understanding of their individuality. You bring them to consensus with the group. They become a member of the collective. It's soviet education."

Prepare to be instantly propelled into a world dominated by spying, tracking, and control as you go behind enemy lines drawn in our own backyards. One Nation Under Siege presents disturbing facts never before disclosed to a majority of the sleeping American public.  Through the research of over a dozen internationally distinguished authors, journalists and physicians, you will begin to understand the massive and ceaseless control projected onto an unsuspecting populace by a government that has finally crossed the line to fascism. (Excerpt from main website)

Please visit the official website for more information:
http://www.undersiegemovie.com

"In the late 1920s, the American War Department created an office to act as a bridge between the motion picture industry and the armed forces."

Have your favorite movies been censored or meddled with by the Pentagon?

Since the 80's, and the success of "Top Gun", Hollywood has increased its production of big budget war movies, using military bases, submarines and aircraft carriers that the armed forces have generously made available to the studios. In exchange, the Pentagon's experts vet  hundreds of screenplays each year.

Using lots of movie clips, Operation Hollywood explores this cozy relationship, and questions the wisdom of letting the Pentagon use movies to promote the U.S. army's  image. (Excerpt from main website)

Please visit the official website for more information:
http://www.cbc.ca

"These commercial entities now vie with the government for control over our lives. They are not a healthy counterweight to government. Goebbels said that what you want in a media system – he meant the Nazi media system - is to present the ostensible diversity that conceals an actual uniformity." –Mark Crispin Miller

Director Robert Kane Pappas’ ORWELL ROLLS IN HIS GRAVE is the consummate critical examination of the Fourth Estate, once the bastion of American democracy. Asking whether America has entered an Orwellian world of doublespeak where outright lies can pass for the truth, Pappas explores what the media doesn’t like to talk about: itself.

Meticulously tracing the process by which media has distorted and often dismissed actual news events, Pappas presents a riveting and eloquent mix of media professionals and leading intellectual voices on the media.

Among the cast of characters in ORWELL ROLLS IN HIS GRAVE are Charles Lewis, director of the Center for Public Integrity, Vincent Bugliosi, former L.A. prosecutor and legal scholar, film director and author Michael Moore, Rep. Bernie Sanders, Danny Schecter, author and former producer for ABC and CNN, and Tony Benn, former member of the British Parliament.

From the very size of the media monopolies and how they got that way to who decides what gets on the air and what doesn’t, ORWELL ROLLS IN HIS GRAVE moves through a troubling list of questions and news stories that go unanswered and unreported in the mainstream media. Are Americans being given the information a democracy needs to survive or have they been electronically lobotomized? Has the frenzy for media consolidation led to a dangerous irony where in an era of more news sources the majority of the population has actually become less informed?

ORWELL ROLLS IN HIS GRAVE reminds us that 1984 is no longer a date in the future.(Excerpt from main website)

Please visit the official website for more information:
http://www.orwellrollsinhisgrave.com

"Every morning there was a detailed list of subjects to talk about and not talk about. They were just actually issuing edicts to the reporters to control what they could say and how they could say it."

Outfoxed: Rupert Murdoch's War on Journalism is a 2004 documentary film by self-proclaimed progressive filmmaker Robert Greenwald that is highly critical of the Fox News Channel, and its owner, Rupert Murdoch, claiming that the channel is used to promote and advocate right-wing views. The film says this pervasive bias contradicts the channel's claim of being "Fair and Balanced", and argues that Fox News has been engaging in what amounts to consumer fraud. (Excerpt from Wikipedia)

Please visit the official website for more information:
http://www.outfoxed.org

"When George Bush became director of the C.I.A. in 1976 under President Ford, he inhereted Noriega as a contact. Despite evidence that Noriega was involved in drug trafficking, Bush kept Noriega on the payroll. In fact, he increased Noriega's salary to more than $100,000 a year and eliminated a requirement that intelligence reports on Panama include information on drug trafficking."

The Panama Deception documents the untold story of the December 1989 U.S. invasion of Panama; the events which led to it; the excessive force used; the enormity of the death and destruction; and the devastating aftermath. The Panama Deception uncovers the real reasons for this internationally condemned attack, presenting a view of the invasion which widely differs from that portrayed by the U.S. media and exposes how the U.S. government and the mainstream media suppressed information about this foreign policy disaster.

The Panama Deception includes never before seen footage of the invasion and its aftermath, as well as interviews with both invasion proponents like Gen. Maxwell Thurman, Panamanian President Endara and Pentagon spokesperson Pete Williams, and opponents like U.S. Representative Charles Rangel (D-NY.), Panamanian human rights workers Olga Mejia and Isabel Corro and former Panamanian diplomat Humberto Brown. Network news clips and media critics contribute to a staggering analysis of media control and self censorship relevant to any news coverage today, particularly during times of war.  (Excerpt from video.google.com)

Please visit the official website for more information:
http://empowermentproject.org

"When Israelis in the occupied territories now claim that they have to defend themselves, they are defending themselves in the sense that any military occupier has to defend itself against the population they are crushing... You can't defend yourself when you're militarily occupying someone else's land. That's not defense. Call it what you like, it's not defense." –Noam Chomsky

Peace, Propaganda & the Promised Land provides a striking comparison of U.S. and international media coverage of the crisis in the Middle East, zeroing in on how structural distortions in U.S. coverage have reinforced false perceptions of the Israeli-Palestinian conflict. This pivotal documentary exposes how the foreign policy interests of American political elites--oil, and a need to have a secure military base in the region, among others--work in combination with Israeli public relations strategies to exercise a powerful influence over how news from the region is reported. (Excerpt from main website)

Please visit the official website for more information:
http://www.mediaed.org

"[Politicians] say that they will rescue us from dreadful dangers that we cannot see and do not understand. And the greatest danger of all is international terrorism, a powerful and sinister network with sleeper cells in countries across the world, a threat that needs to be fought by a War on Terror. But much of this threat is a fantasy, which has been exaggerated and distorted by politicians. It's a dark illusion that has spread unquestioned through governments around the world, the security services and the international media."

The Power of Nightmares, subtitled The Rise of the Politics of Fear, is a BBC documentary film series, written and produced by Adam Curtis. The series consists of three one-hour films, consisting mostly of a montage of archive footage with Curtis's narration, which were first broadcast in the United Kingdom in late 2004 and have been subsequently aired in multiple countries and shown in several film festivals, including the 2005 Cannes Film Festival.

The films compare the rise of the American Neo-Conservative movement and the radical Islamist movement, making comparisons on their origins and noting strong similarities between the two. More controversially, it argues that the threat of radical Islamism as a massive, sinister organised force of destruction, specifically in the form of al-Qaeda, is in fact a myth perpetrated by politicians in many countries—and particularly American Neo-Conservatives—in an attempt to unite and inspire their people following the failure of earlier, more utopian ideologies. (Excerpt from Wikipedia)

Please visit the official website for more information:
http://news.bbc.co.uk

"The Arab is a one-dimensional caricature, a cartoon cutout used by film makers as stock villains and as comic relief. And so, over and over, we see Arabs in movies portrayed as buffoons, their only purpose being to deliver cheap laughs." "Jack Shaheen

This groundbreaking documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged from the earliest days of silent film to today's biggest Hollywood blockbusters. Featuring acclaimed author Dr. Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today. Shaheen shows how the persistence of these images over time has served to naturalize prejudicial attitudes toward Arabs and Arab culture, in the process reinforcing a narrow view of individual Arabs and the effects of specific US domestic and international policies on their lives. By inspiring critical thinking about the social, political, and basic human consequences of leaving these Hollywood caricatures unexamined, the film challenges viewers to recognize the urgent need for counter-narratives that do justice to the diversity and humanity of Arab people and the reality and richness of Arab history and culture. (Excerpt from main website)

Please visit the official website for more information:
http://www.reelbadarabs.com

"The CIA is behind this, everyone knows it. We have proof for plans of a coup."

The Revolution Will Not Be Televised (a.k.a. Chavez: Inside the Coup) is a 2002 documentary about the April 2002 Venezuelan coup attempt which briefly deposed Venezuelan President Hugo Chávez. A television crew from Ireland's Radio Telifís Éireann happened to be recording a documentary about Chávez during the events of April 11, 2002. Shifting focus, they followed the events as they occurred. During their filming, the crew recorded images of the events that they say contradict explanations given by Chávez opposition, the private media, the US State Department, and then White House Press Secretary Ari Fleischer. The documentary says that the coup was the result of a conspiracy between various old guard and anti-Chávez factions within Venezuela and the United States. (Excerpt from Wikipedia)

Please visit the official website for more information:
http://www.chavezthefilm.com

"Although geographically separate, the city-states of London, the Vatican, and the District of Colombia are one interlocking empire called "Empire of ‘The City.’” The flag of Washington’s District of Colombia has three red stars, one for each city-state in the three city empire. This Corporate Empire of three city-states controls the world economically through London’s inner-city, militarily through the District of Colombia, and spiritually through the Vatican.”

From the mystery religions of ancient Egypt to the Zionist role in 9/11, "Ring Of Power" unrevises 4000 years of revisionist human history with never - before - seen revelations. "Ring Of Power" puzzles together the pieces of a giant puzzle into one BIG PICTURE documentary series.  ABOUT THE PRODUCER: The Producer is an experienced, award winning documentary filmmaker who, as a child, learned that her father was a member of the secretive cult of Freemasonry. She recalls many arguments between her parents over her father's secret meetings and the exclusion of women from the brotherhood. The Masonic ring that her father wore had been passed down from father to son over the generations. When she asked her father about the meaning of the letter "G" and the compass and square on his ring, she got no response. As an adult, she decided to investigate. That investigation grew into four years of intensive research into the identity and history of the diabolical globalists who she calls the "Ring Of Power". Their goal is one World Empire and one world ruler.  (Excerpt from video.google.com)

Please visit the official website for more information:
http://www.preferrednetwork.com

"Freedom of speech is fine but by God you don't do it outside of the country and you don't do it in mass publicly"

The film opens by reviewing the Dixie Chicks' status before the London show. They had sold more albums in the United States than any other female band in history and were at the top of the Billboard Hot Country Songs chart with their new single "Travelin' Soldier", a sensitive depiction of a soldier's life during the Vietnam War era. The film then shows the London concert in an atmosphere of dramatic opposition to the War in Iraq; earlier that day, approximately 1 million people had collected at a public demonstration in London against the war. During the concert, lead singer Natalie Maines tells the audience the band does not support the war in Iraq and conveys that they are ashamed that President Bush is from Texas. When the media in London publishes the remarks, conservative groups in the U.S. rallied against the Chicks and a firestorm of criticism followed. The film conveys the open hostility directed at the band and their reaction. The band is not sure if they should "shut up and sing" or stand by their convictions and let more sparks fly. They end up standing by their comments. (Excerpt from Wikipedia)

Please visit the official website for more information:
http://www.dixiechicks.com

"The last one was OK, but the first three were all homosexuals. I've had this before" –Pat Robertson

Using the 1992 presidential election as his springboard, documentary filmmaker Brian Springer captures the behind-the-scenes maneuverings of politicians and newscasters in the early 1990s. Pat Robertson banters about "homos," Al Gore learns how to avoid abortion questions, George Bush talks to Larry King about halcyon -- all presuming they're off camera. Composed of 100% unauthorized satellite footage, Spin is a surreal expose of media-constructed reality. (Excerpt from video.google.com)

Please visit site for more information:
http://en.wikipedia.org

"File sharing is not a problem, it’s an opportunity. There is a Chinese proverb saying that "when the winds of change are blowing, some people are building shelters and others are building windmills.” –Rick Falkvinge

Steal This Film is a film series documenting the movement against intellectual property and was a talking point in the British Documentary Festival.[2] Part One, produced in Sweden and released in 2006, takes account of the prominent players in the Swedish piracy culture: The Pirate Bay, Piratbyrån, and the Pirate Party. This film includes a critical analysis of an alleged regulatory capture[3] performed by the