War Documentaries

"In War, Truth is the First Casualty" –Aeschylus

"Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and not clothed." –Dwight D. Eisenhower

Afghan Massacre - The Convoy of Death

Directed by Jamie Doran


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50 Minutes

"In the middle of June when we first revealed the small parts of our story about the mass graves here at Dasht-i-Leili, the Pentagon effectively denied that the atrocity had taken place at all. They also denied that American soldiers were anywhere near the vicinity nor did any American personal have any knowledge whatsoever about such a thing taking place. We can now reveal that the Pentagon was lying."

Produced and directed by Irish filmmaker and former BBC producer Jamie Doran, the film tells the story of thousands of prisoners who surrendered to the US military's Afghan allies after the siege of Kunduz. According to the film, some three thousand of the prisoners were forced into sealed containers and loaded onto trucks for transport to Sheberghan prison. When the prisoners began shouting for air, U.S.-allied Afghan soldiers fired directly into the truck, killing many of them. The rest suffered through an appalling road trip lasting up to four days, so thirsty they clawed at the skin of their fellow prisoners as they licked perspiration and even drank blood from open wounds.

Witnesses say that when the trucks arrived and soldiers opened the containers, most of the people inside were dead. They also say US Special Forces re-directed the containers carrying the living and dead into the desert and stood by as survivors were shot and buried. Now, up to three thousand bodies lie buried in a mass grave.

Outraged human rights groups and lawyers are calling for an investigation but the U.N. special envoy to Afghanistan refuses any U.N.-backed investigation until the Afghan government can protect witnesses. Two of the witnesses in the film have already been killed. (Excerpt from video.google.com)

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American Drug War: The Last White Hope

Directed by Kevin Booth


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2 Hours and 2 Minutes

"The drug war is a perfect continuing example of why we will never win the war on terrorism because it captures the ineffectiveness of U.S. government and it captures the fact that it's being used against poor people and not against the people who benefit most from drugs, which are bankers that launder the money." -Robert Steele, CIA Clandestine Officer

35 years after Nixon started the war on drugs, we have over one million non-violent drug offenders living behind bars.

The War on Drugs has become the longest and most costly war in American history, the question has become, how much more can the country endure? Inspired by the death of four family members from "legal drugs" Texas filmmaker Kevin Booth sets out to discover why the Drug War has become such a big failure. Three and a half years in the making, the film follows gang members, former DEA agents, CIA officers, narcotics officers, judges, politicians, prisoners and celebrities. Most notably the film befriends Freeway Ricky Ross; the man many accuse for starting the Crack epidemic, who after being arrested discovered that his cocaine source had been working for the CIA.

AMERICAN DRUG WAR shows how money, power and greed have corrupted not just drug pushers and dope fiends, but an entire government. More importantly, it shows what can be done about it. This is not some 'pro-drug' stoner film, but a collection of expert testimonials from the ground troops on the front lines of the drug war, the ones who are fighting it and the ones who are living it.

After 4 years of production including several sold out test screenings in New York, Austin & Los Angeles, the final version of American Drug War "the last white hope" is locked and loaded. (Excerpt from main website)

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Anthrax War

Directed by Bob Coen


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1 Hour and 26 Minutes

"One week before 9/11, a Pulitzer prize winning, Judith Miller, and two New York Times colleagues broke a front page story revealing the U.S. had been weaponizing anthrax as part of several secret programs."

Anthrax War is a ground-breaking feature length documentary which illuminates one of the most important stories of our age – the threat that a terrifying Germ War Arms Race may now be beginning around the globe…

Just weeks after 9/11, the United States was confronted with the frightening reality of biological terrorism. Anthrax-laced letters sent to government and media offices in Washington and New York spread fear and panic around the world. Millions were put at risk, scores were infected and five people died. For the first time in modern history, the United States Congress was shut down. Our collective nightmare of germ warfare – the attack of invisible, deadly bugs – had come to life…

Anthrax War takes viewers into the Bio-defense labs of the United States and the U.S. Military’s testing grounds in the deserts of the American southwest. The filmmakers travel to a top-secret military installation of the former Soviet Union where anthrax escaped thirty years ago, where civilians are still living with the consequences, and where biological weapons work may be continuing. They move on to the savannas of southern Africa, where they meet “Doctor Death” and his associates of the notorious Project Coast who experimented with anthrax and other designer germs during the Apartheid Era. And where the anthrax used in the 2001 attacks may have originated.

As they travel to the world’s bio-war ‘hot zones’, the filmmakers encounter people confronting the new threat of germ warfare today – investigators, politicians, and journalists probing this nightmare world as well as scientists, legislators and citizen activists working to warn the world that biological arms proliferation will prove catastrophic. Anthrax War is a wake-up call about what’s happening NOW… (Excerpt from main website)

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Architects of Control, Program One - Mass Control & The Future of Mankind

Produced by Michael Tsarion and Blue Fire Film


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2 Hours and 6 Minutes

"The real war is the war on consciousness. It's very important to always remember that ...Mind control is ubiquitous. It's almost a question of who is not mind controlled, as opposed to who is mind controlled. It's just a difference in degree. The whole question of what is consciousness and how it can be manipulated is one of the most crucial questions of our time."

Produced by Michael Tsarion and Blue Fire Film, Architects of Control: Program One, explores humankind’s future and the posthuman world. Will the “perfect” human be a dumbed down, regimented inhabitant of a cyber purgatory created by unseen elites? Will the children of tomorrow be smiling depressives of a technocratic dystopia?

Subjects Include: Jim Keith, Mass Control, Mind Control and its History, Radiotronic Weaponry, Psychic Dictatorship, Mass Ritual Killings, The Men in White, Operation Cointelpro, Operation Chaos, Teen Rage, School Shootings, Media Manipulation, Sleeper Assassins, Project Monarch and MK Ultra, Operation Paperclip, Sorcery and Magic, The Cult of Dionysus, People’s Champions, Astro-Theology, The Anatomy of Thought, Tragedy: Catalyst of Change, Global Awakening, The Myth of Progress, The Global Village, The Inauthentic Life, Drugged, Medicated, and Under Control, The Deconstruction Cycle, The Rise and Fall of Civilizations, The Death of Emotion, The Posthuman World Initiated, 2012: The Age of Revealing, Civilization: Rise and Fall, Psychic Hygiene, The Sane and the Unsane (Excerpt from main website)

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Arsenal of Hypocrisy

Directed by William Arntz, Betsy Chasse, & Mark Vicente


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59 Minutes

"If we really want to understand what's going on in space today and what's happening with the plan to put weapons in space, I think it's instructive to go back and understand the origins of the U.S. Space Program; and to do that, you have to go back to Nazi Germany."

The glory days of NASA are over! Today the Military Industrial Complex is marching towards world dominance through Space technology on behalf of global corporate interest. To understand how and why the space program will be used to fight all future wars on earth from space, it's important to understand how the public has been misled about the origins and true purpose of the Space Program. (Excerpt from main website)

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Dispatches: Beslan

Produced by Eamonn Matthews & Kevin Sim


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49 Minutes

"Trapped now inside the school were over 1200 people, mostly women and children, some no more than babies. Their only hope of survival was that somehow someone would strike a bargain between the ruthless men who would seize them and an uncompromising Russian state."

The school siege at Beslan was the bloodiest act of terrorism ever to take place on Russian soil. Yet beyond this horrible truth remain many unanswered questions. There is no agreement on who the terrorists were. How many they numbered? Where they came from? How they got to Beslan? What they wanted? Whether they were all killed or captured? And just how the siege which began on September 1 2004, ended so catastrophically?

This Dispatches special uses testimony from eyewitnesses, survivors and security services. This is combined with video and audio archive footage presents the fullest account of what happened at Beslan.

The film examines the background to the events of Beslan. It also looks at the Russian state’s reaction to the atrocity and the motivation of the hostage-takers. Beslan School Siege also documents how a small town is coming to terms with the loss of its children. (Excerpt from main website)

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Beyond Treason

Directed by William Lewis


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1 Hour and 29 Minutes

"This documentary is dedicated to those who served in the U.S. military for the right reasons, who wonder why they are not and never will be the same, why they are sick, and why military leaders, veterans’ leaders in the three branches of our government do not assist them in getting medical care and compensation. The majority of our veterans only want to know what is wrong with them, why they became ill, and how they can be made well again. We will focus on the experiments conducted, the documents that support this experimentation, and what must be done to advance the cause of basic human rights for all active duty, guard, reserve, and veterans. For those of you who are not familiar with military experimentation, you are about to get a lesson in history, for to experiment without consent is truly beyond treason."

Department of Defense documents obtained through the Freedom of Information Act expose the horrific underworld of the disposable army mentality and the government funded experimentation upon US citizens conducted without their knowledge or consent.

Is the United States knowingly using a dangerous battlefield weapon banned by the United Nations because of its long-term effects on the local inhabitants and the environment?  Explore the illegal worldwide sale and use of one of the deadliest weapons ever invented.

Was Gulf War Illness actually predicted by the DoD before hand?
Why are thousands of our men and women in uniform dying?
Why won't the mainstream media report this story?

Beyond the disclosure of black-ops projects spanning the past six decades, Beyond Treason also addresses the complex subject of Gulf War Illness.  It includes interviews with experts, both civilian and military, who say that the government is hiding the truth from the public and they can prove it. (Excerpt from main website)

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Breaking The Silence - Truth and Lies in the War On Terror

Directed by John Pilger


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51 Minutes

"We were sold this war on the basis of Iraq possessing a massive arsenal of weapons of mass destruction, which was never found, and won't be found, because there was no massive arsenal of weapons. We were also promised a need for war on the basis of active cooperation between Iraq and Al-Qaeda and the fact that it was just a matter of time before some of these weapons from this massive arsenal were passed to this terrorist group...There was no hard intelligence to establish there was a link between Iraq and Al-Qaeda."

John Pilger dissects the truth and lies in the 'war on terror'. Award-winning journalist John Pilger investigates the discrepancies between American and British claims for the 'war on terror' and the facts on the ground as he finds them in Afghanistan and Washington, DC.

In 2001, as the bombs began to drop, George W. Bush promised Afghanistan "the generosity of America and its allies". Now, the familiar old warlords are regaining power, religious fundamentalism is renewing its grip and military skirmishes continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, says one woman, "in many ways worse than the Taliban".

In Washington, Pilger conducts a series of remarkable interviews with William Kristol, editor of the Weekly Standard, and leading Administration officials such as Douglas Feith, Under Secretary of Defense for Policy, and John Bolton, Under Secretary of State for Arms Control and International Security. These people, and the other architects of the Project for the New American Century, were dismissed as 'the crazies' by the first Bush Administration in the early 90s when they first presented their ideas for pre-emptive strikes and world domination. (Excerpt from video.google.com)

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Dispatches: Burma's Secret War

Directed by Evan Williams


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49 Minutes

"A village is burnt to the ground, civilians forced to run for their lives, these children were fleeing through the jungle when soldiers hunted them down and murdered them one by one. This is Burma, a country where thugs are hired to assassinate political opponents, where the people elected leader has been locked away for most of the past 16 years by a military dictatorship in which Britain is the second biggest investor."

For most of the past 16 years the truly elected leader of Burma, Aung San Suu Kyi, has been held under house arrest by a brutal military dictatorship that suppresses all opposition through a policy of rape, forced labour and systematic killings. This is a country unique in failing all five crucial tests by which the UN measures human rights, yet until now the world has all but ignored.  Finally, the UN Security Council is beginning to debate how to deal with this renegade nation, in which Britain is the second biggest investor.

Journalist Evan Williams goes undercover for Dispatches deep inside Burma on a highly dangerous journey to witness new levels of violence by the regime against its own people.  Evan documents atrocities committed against the Karen people, and follows up by illegally entering Burma again - this time as a tourist.  He meets dissidents willing to sacrifice their freedom so that people on the outside should know what is going on.  Despite Aung San Suu Kyi’s plea for an end to foreign investment in Burma, Evan discovers that – thanks to the tax loophole of a British Protectorate – Britain remains the second biggest investor in this systematically brutal dictatorship. (Excerpt from main website)

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The CIA and the Nazis

Produced and Directed by Alex Flaster


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45 Minutes

"The truth is, thousands of former Nazis, some of whom committed atrocities, went to work for the United States government without the public's knowledge. During the war, their crimes ranged from overseeing slave labor camps to sending orphans to their deaths. After the war, they were on the US payroll either as scientists in America or as intelligence agents in Europe."

Six months after Allied Forces liberated German concentration camps, a military tribunal formed at Nuremberg to prosecute Nazi war criminals. Some of the most dangerous were brought to justice--but not all.

CONSPIRACY? reveals how over 4,000 former Nazis went to work for the U.S. government, without the public's knowledge, to help fight the Soviet Union. Reinhard Gehlen, an intelligence officer for Hitler's General Staff, was tapped to head the U.S. intelligence program in West Germany to spy on the Russians. At the same time, former Nazi scientists and engineers were welcomed onto American soil. But the extent of these operations is only now becoming clear: In 1998, a law was passed mandating declassification of documents concerning recruitment of former Nazis. CIA AND THE NAZIS examines these files to see how far the U.S. went in recruiting its former enemy to fight its new one. (Excerpt from main website)

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Dispatches: Chechnya - The Dirty War

Directed by Mariusz Pilis & Marcin Mamon


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49 Minutes

"The military conflict in Chechnya has now been dragging on for more than ten years. During this war Moscow has tried every means possible to prevent it being reported in the press. And so all contacts with members of Chechen resistance are considered illegal. According to the latest report to the human rights organization Human Rights Watch, in 2004 1,700 disappeared in the republic without trace, and illegal killings became commonplace."

Reporters Mariusz Pilis and Marcin Mamon travel to neighbouring Chechnya, one of the most dangerous places on earth, to report on what life is like after more than a decade of Chechen terrorism and Russian repression. Filmed over the course of nine months, the film reveals that what started as a separatist movement in 1994 has now become synonymous with terrorism. (Excerpt from main website)

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Code Name: Artichoke

Produced by Egmont R. Koch and Michael Wech


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53 Minutes

"The CIA’s unscrupulous experiments on human beings continued the Nazi drug experiments they learned of during the liberation of the Dachau concentration camp."

Frederick, Maryland. More than 40 years after his death, the body of former CIA scientist Dr. Frank Olson has been exhumed. Olson’s son Eric is convinced his father was murdered by agents of the American government because he wanted to leave the CIA. Dr. Frank Olson was an expert for anthrax and other biological weapons and had top security clearance. Forensic pathologists at George Washington University performed an autopsy and concluded that Olson probably was the victim of a violent crime.

It has been eight years since the exhumation. Eric Olson is still searching for the reasons behind his father’s death in November of 1953. Eric was nine years old at the time. It’s a quest he inherited as the oldest of three children. To solve the mystery of their father’s death. (Excerpt from main website)

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COINTELPRO: The FBI's War on Black America

Directed by Denis Mueller & Deb Ellis


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48 Minutes

"GOALS: 1) Prevent the coalition of militant black nationalist groups. 2) Prevent the rise of a messiah who could unify, and electrify, the militant black nationalistic movement. 3) Prevent militant black nationalist groups and leaders from gaining respectability, by discrediting them to the community. 4) A final goal should be to prevent the long-range growth of militant black nationalist organizations especially among youth." –Excerpts from FBI Cointelpro document

Through a secret program called the Counter Intelligence Program (COINTELPRO), there was a concerted effort to subvert the will of the people to avoid the rise "of a black Messiah" that would mobilize the African-American community into a meaningful political force. This documentary establishes historical perspective on the measures initiated by J. Edgar Hoover and the FBI which aimed to discredit black political figures and forces of the late 1960's and early 1970's. Combining declassified documents, interviews, rare footage and exhaustive research, it investigates the government's role in the assassinations of Malcolm X, Fred Hampton, and Martin Luther King Jr. Were the murders the result of this concerted effort to avoid "a black Messiah"? (Excerpt from video.google.com)

The Cu Chi Tunnels

Directed by Mickey Grant


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59 Minutes

"Cu Chi was a beautiful place. During the war it became a spirit journey: a spirit journey to the city we built underground. There were hospitals, schools, theatres, kitchens – all underground in tunnels."

During the war in Vietnam, thousands of people in the Vietnamese province of Cu Chi lived in an elaborate system of underground tunnels. Originally built in the time of the French, the tunnels were enlarged during the American presence. When the Americans began bombing the villages of Cu Chi, the survivors went underground where they remained for the duration of the war. The secret tunnels, which joined village to village and often passes beneath American bases, were not only fortifications for Viet Cong guerillas, but were also the center of community life. Hidden beneath the destroyed villages were schools and public spaces were hospitals where children were born and surgery was performed on casualties of war: underground were schools and public spaces where couples were married and private places where lovers met. There were even theaters where performers entertained with song and dance and traditional stories.

THE CU CHI TUNNELS, a Mickey Grant film, is the story of life underground told by the people who lived the experience. It is a story told by a surgeon, an artist, and actress, an engineer, and the few survivors of the guerilla band who left the tunnels each night to fight against an enemy of vastly superior strength. Attached to the guerilla bands were Viet Cong documentary cameramen and camerawomen whose footage of the war from the Vietnamese point of view and of love, life and death in the tunnels has survived and is used in the film. This extremely rare footage povides a fascinating kind of echo; we see and hear an actress perform in the wartime tunnels and then hear her describe the experience nearly thirty years later. (Excerpt from video.google.com)

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Dear America: Letters Home From Vietnam

Directed by Bill Couturié


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1 Hour and 25 Minutes

"Hey brother, this place is sort of getting to me. I've been seeing too many guys getting messed up and I still can't understand it. It's not that I can't understand this war, it's just that I can't understand war, period. You sort of sit back and ask yourself why? What the hell is this going to prove? And then I'm still looking for the answer."

All the confusion, pain, despair, and even hope of the men and women who served in Vietnam is captured in Dear America: Letters Home from Vietnam. Read by dozens of actors such as Harvey Keitel, Matt Dillon, and Kathleen Turner, these letters show a more human story of the war than we see in most media outlets and reveal real people in real situations trying to explain or understand. The footage, some newsreel, some shot by the servicemen and servicewomen, reveals a tension between the soldiers' actual experiences and the presentation their loved ones received from television. (Excerpt from video.google.com)

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Death In Gaza

Directed by James Miller


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1 Hour and 21 Minutes

"We're trying to understand how people learn to hate so deeply that they're prepared to die in order to kill, so we're looking for the next generation, the children who will make either peace or war."

In spring 2003, filmmaker James Miller and reporter Saira Shah, following the success of their Peabody-winning films "Unholy War" and "Beneath the Veil," set out to take a first-hand look at the culture of hate that permeates the Middle East. They captured the lives of three Palestinian children growing up in the bullet-riddled streets of Gaza, indoctrinated in the creed of Jihad, and had planned to show the Israeli side next. But on May 2, in the midst of filming, Miller was shot to death by an Israeli tank, falling victim to the conflict he covered. The America Undercover special DEATH IN GAZA tells this tragic, eye-opening story.

DEATH IN GAZA begins in Nablas, where Miller and Shah witness an explosion that kills several Palestinians suspected of being suicide bombers. "We're trying to understand how people learn to hate so deeply that they're prepared to die in order to kill," says Shah. "So we're looking for the next generation, the children who will make either peace or war." In Nablas, that generation is playing dangerous games with the Israelis, as children shower the tanks that patrol their street with rocks, taunting the soldiers inside... (Excerpt from main website)

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Death of a Nation - The Timor Conspiracy

Directed by John Pilger


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1 Hour and 14 Minutes

"A Portugese colony for more than 400 years, East Timor was invaded in 1975 by Indonesia, the fifth largest nation in the world led by a military dictatorship. Indonesia has no historical nor legal claim to East Timor, yet its brutal occupation has met with mostly silence from the world's leading governments and international agencies. What happened here 18 years ago happened in secret."

On December 7, 1975 Indonesia secretly - but with the complicity of the Western powers including the US, the UK, and Australia - invaded the small nation of East Timor. Two Australian television crews attempting to document the invasion were murdered.

In 1993, with the Indonesian army still occupying the country, John Pilger and his crew including director David Munro, slipped into East Timor and made this film. In the intervening 18 years, an estimated 200,000 East Timorese - 1/3 of the population - had been slaughtered by the Indonesian military. The C.I.A. has described it as one of the worst mass-murders of the 20th century.

Pilger tells the story using clandestine footage of the countryside, internment camps and even Fretlin guerillas, as well as interviews with Timorese exiles, including Jose Ramos Horta and Jose Gusmao, and Australian, British, and Indonesian diplomats. (Excerpt from youtube)

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Dispatches: The Death Squads

Reported by Deborah Davies


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45 Minutes

"Every day in Iraq, up to a hundred mutilated bodies are found. They are not killed by Sunni insurgents, they're mostly killed by Shia death squads who are ethnically cleansing Baghdad in a systematic campaign. Many of the killed are actually police man, behind them, senior religious and political figures stand accused. Those accused of supporting this daily carnage are the same people America has put in power to shape the future of Iraq."

The torture and slaughter of Iraqi civilians is reaching unprecedented heights with estimates of up to 655,000 dead.

Night after night death squads rampage through Iraq's main cities. In Baghdad, up to a hundred bodies a day are dumped on the streets. Often they've been tortured with electric drills. Yet those doing the killing have little to do with al Qaeda or Sunni insurgents. The majority of the killings are carried out by Shia death squads who want to turn Iraq into a Shia state aligned to Iran.

This shocking film investigates the links between the death squads and high-ranking Shia politicians. It reveals how the Shia militia that these politicians control have systematically infiltrated and taken over police units and even entire government ministeries. It investigates how these units are closely linked to the death squads, indeed they often are the death squads. And the killers act with impunity - there's little investigation into their activities. (Excerpt from main website)

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Deir Yassin Remembered

Directed by Daniel McGowan


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33 Minutes

"Most of those who were killed, somewhere between 110 to 130, were women and children and old men over 60 years old."

Early in the morning of April 9, 1948, commandos of the Irgun (headed by Menachem Begin) and the Stern Gang attacked Deir Yassin, a village with about 750 Palestinian residents. The village lay outside of the area to be assigned by the United Nations to the Jewish State; it had a peaceful reputation. But it was located on high ground in the corridor between Tel Aviv and Jerusalem. Deir Yassin was slated for occupation under Plan Dalet and the mainstream Jewish defense force, the Haganah, authorized the irregular terrorist forces of the Irgun and the Stern Gang to perform the takeover.

In all over 100 men, women, and children were systematically murdered. Fifty-three orphaned children were literally dumped along the wall of the Old City, where they were found by Miss Hind Husseini and brought behind the American Colony Hotel to her home, which was to become the Dar El-Tifl El-Arabi orphanage. (Excerpt from video.google.com)

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Empire: Hollywood and the War Machine

Produced by Al Jazeera English


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46 Minutes

"The big loser in all this is the audience. What you're getting is sort of a steady drip, drip, drip, drip of propaganda being put into American films and over the years, I belive the real danger in all this is that it has made the American people more war-like." -David Robb, author of Operation Hollywood

War is hell, but for Hollywood it has been a Godsend, providing the perfect dramatic setting against which courageous heroes win the hearts and minds of the movie going public.

The Pentagon recognises the power of these celluloid dreams and encourages Hollywood to create heroic myths; to rewrite history to suit its own strategy and as a recruiting tool to provide a steady flow of willing young patriots for its wars.

What does Hollywood get out of this 'deal with the devil'? Access to billions of dollars worth of military kit, from helicopters to aircraft carriers, enabling filmmakers to make bigger and more spectacular battle scenes, which in turn generate more box office revenue. Providing they accept the Pentagon's advice, even toe the party line and show the US military in a positive light.

So is it a case of art imitating life, or a sinister force using art to influence life and death - and the public perception of both? (Excerpt from main website)

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Enemy Image

Directed by Mark Daniels


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1 Hour and 32 Minutes

"When Baghdad exploded under bombs, television chose to bring us fireworks. But does this distant and spectacular image tell us what is really happening on the ground, how it feels or what it means? Television has the means to take us anywhere and show us anything. It can bring us the physical experience of war with all its horrors, like no other medium, and yet the image of American war on television is disembodied, bloodless, and unreal."

The invasion of Iraq was the most closely documented war ever fought. Lasting only 800 hours, it produced 20,000 hours of video, but those images were tightly controlled, producing a monolithic view of combat sanitised and controlled by the Pentagon.

Enemy Image traces the ways us television has covered war, starting with Vietnam in the 1960s and shows how the military has devised ever-improving means of ensuring the American public never again has the real face of combat beamed directly into their living rooms. Comparing footage of Vietnam, including rarely-seen material shot in North Vietnam, to coverage of Iraq and using extensive interviews with veteran war correspondents and news anchors, Mark Daniels demonstrates how television that once revealed the truth is now increasingly used to hide it. (Excerpt from main website)

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Esoteric Agenda

Produced by TalismanicIdols


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2 Hours and 6 Minutes

"Science has now bridge a very important gap between physical and ethereal, or spiritual. Our emotions directly affect the structure of our DNA, which directly shapes the physical world we experience everyday."

The more humanity strays from its’ origin, the more we deny our bond with nature, the farther from perfection we become. We are the only creatures on the planet that use symbols in reference to something else. We use symbols for absolutely everything the mind can conceive of.  There is at least one word or icon or gesture to insinuate everything our five senses can detect and then some.  But along with this beautiful gift comes a flaw. Most people are unwilling to seek and create their own interpretations of these symbols.  Instead, they blindly submit to preconceived definitions and connotations given by sources unknown. Because of this, many things have been predetermined in our understanding of life without our knowledge. Words can be perverted and used to manipulate rather than to inform. Symbols can be used to segregate rather than unite. And those given the responsibility and authority to disseminate information to the public possess the ability to do with it as they choose. (Excerpt from film)

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Directed by Pete McGrain


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1 Hour and 12 Minutes

"The media marketing men spend billions of dollars in research. They have developed an entire science based on the very best psychology. They know exactly which one of our buttons to press to make us swallow an idea or buy a product, and they're not just selling us laundry detergent, they sell us everything from plastic gadgets to warfare. If we are to make decisions about the future of our society, the single most important thing we need is the truth." -Woody Harrelson

Hosted by twice Oscar nominated actor and activist Woody Harrelson, Ethos lifts the lid on a Pandora's box of systemic issues that guarantee failure in almost every aspect of our lives; from the environment to democracy and our own personal liberty: From terrifying conflicts of interests in politics to unregulated corporate power, to a media in the hands of massive conglomerates, and a military industrial complex that virtually owns our representatives. With interviews from some of todays leading thinkers and source material from the finest documentary film makers of our times Ethos examines and  unravels these complex relationships, and offers a solution, a simple but powerful way for you to change this system! (Excerpt from main website)

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Fallujah: The Hidden Massacre

Directed by Sigfrido Ranucci


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27 Minutes

"This war can not have witnesses. It can not have witnesses because it is based on lies. The Americans have permitted only embedded journalists to go to Fallujah. Despite that, for example the image of the marine that shoots the wounded and unarmed warrior inside the Fallujah Mosque has gone out. And exactly because this image has gone out, we do not know how, and because it has circulated all over the world, the NBC journalist that has recorded it has been immediately expelled from the embedded body."

Fallujah, The Hidden Massacre is a documentary film by Sigfrido Ranucci and Maurizio Torrealta which first aired on Italy's RAI state television network on November 8, 2005. The film documents the use of weapons that the documentary asserts are chemical weapons, particularly the use of incendiary bombs, and alleges indiscriminate use of violence against civilians and children by military forces of the United States of America in the city of Fallujah in Iraq during the Fallujah Offensive of November 2004.

The film's primary themes are:

  • Establishing a case for war crimes against civilians committed by the United States.
  • Documenting evidence for the use of chemical devices by the US military.
  • Documenting other human rights abuses by American forces and their Iraqi counterparts. (Excerpt from Wikipedia)

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http://www.rainews24.rai.it (Italian)

Dispatches: Fighting The Taliban

Directed by Mariusz Pilis & Marcin Mamon


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48 Minutes

"The story of the battle of Garmser, the six day battle the Ministry of Defense didn't want you to see. A battle that raises questions about Britain's war on terror in Afghanistan."

Fighting The Taliban is the exclusive first-hand account of one of the longest battles fought by British soldiers in Afghanistan.

When John Reid dispatched British forces to Helmand province on a "peace keeping" mission he expected them to achieve their goals "without firing a shot". Dispatches reveals how the war on terror is really being fought on the ground, and assesses the formidable scale of the task facing British troops in Afghanistan.

Ignoring Ministry of Defence orders, filmmaker Sean Langan hitches a ride with the Afghan army who, along with British soldiers, are on a mission to retake the strategically critical town of Garmser in Helmand province.

The assault is expected to take 24 hours but it soon runs into difficulty, leading to six days of relentless attacks and counter attacks, captured from start to finish by Langan. The front line was often less than 100 yards from the compound where the 17 British troopers established their forward base and the ferocity of fighting saw the British officers call in a record number of NATO air strikes. (Excerpt from main website)

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Flying the Flag - Arming the World

Directed by John Pilger


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51 Minutes

"Britain is still a world leader. Indeed it has twenty percent of a world market, second only to the United States. And this industry is considered so important by the government that it consumes almost half of all research and development funds. Strangely it produces not consumer goods that people want, but machines that hardly any of us use or want to use. Moreover, for all its preeminence, its future is uncertain and depends to a large degree on secret deals with some of the most corrupt and brutal regimes on Earth. One of the biggest manufacturing industries in Britain at the close of the century is ARMS."

John Pilger and David Munro look behind the political rhetoric and discover the world of international arms dealing. Won a Bronze Apple in the category of 'Domestic and International Concerns', National Educational Film & Video Festival, Oakland, California, 1995; Certificate of Honourable Mention in the 'International Relations' category, The Chris Awards (Columbus International Film Festival), Worthington, Ohio, 1995. (Excerpt from video.google.com)

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The Fog of War

Directed by Errol Morris


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1 Hour and 47 Minutes

"What makes us omniscient? Have we a record of omniscience? We are the strongest nation in the world today. I do not believe we should ever apply that economic, political, or military power unilaterally. If we had followed that rule in Vietnam, we wouldn't have been there! None of our allies supported us; not Japan, not Germany, not Britain or France. If we can't persuade nations with comparable values of the merit of our cause, we'd better reexamine our reasoning." –Robert McNamara

The film depicts the life of Robert McNamara, United States Secretary of Defense from 1961 to 1968, through the use of archival footage, White House recordings, and most prominently, an interview with McNamara at the age of 85. The subject matter spans McNamara's work as one of the "Whiz Kids" during World War II and as an executive at the Ford Motor Company to his involvement in the Vietnam War as Secretary of Defense under Presidents John F. Kennedy and Lyndon B. Johnson.

In a 2004 appearance at UC Berkeley, Morris said that he was inspired to make the film after reading McNamara's 2001 book (with James G. Blight), Wilson's Ghost: Reducing the Risk of Conflict, Killing, and Catastrophe in the 21st Century.[1]

Morris interviewed McNamara for over twenty hours, editing down the footage into a two-hour film. The concept of structuring the film as 11 lessons comes from McNamara's 1996 book In Retrospect: The Tragedy and Lessons of Vietnam. Morris creates the film's 11 lessons from various statements that McNamara uses throughout the interview. The lessons lend structure to The Fog of War, but they are not explicitly McNamara's. (At the aforementioned UC Berkeley event, McNamara contended that he did not agree with Morris's interpretations in all respects.) After the completion of the film, McNamara responded to Morris by complementing the film's eleven lessons with ten more lessons of his own; these are included in the film's DVD release. (Excerpt from Wikipedia)

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The Fourth World War

Directed by Jacqueline Soohen & Rick Rowley


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1 hour and 16 Minutes

"Everywhere today, every aspect of our lives is being violently reorganized. Everywhere there is war. A war without a battlefield. A war without an enemy. A war that is everywhere. A thousand civil wars. A war without end. The Fourth World War."

We walked and these moments changed us. We saw the buildings burning and the pain in our neighbor's eyes. We rushed bayonets in the mountain and lines of police in the city. We were touched by too much death. We loved and felt alive. We heard the echo of our word in other voices. We watched the moon rise over the barricades. We were wounded by the courage of small children. This is not the whole story or the only story.

It is an introduction to some of the people with whom we share this planet.

A much greater story remains to be told.

A story that we will write together. (Excerpt from film)

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A Funny Thing Happened on the Way to the Moon

Directed by Emmanuel Goldstein


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47 Minutes

"If it wasn't possible to better the Soviets in the space race, which was really a race of technology armaments, what could be done? How could America offset the threat of superior weaponry? Throughout the history of rivalry and war, astute generals of lesser armies than their counterparts have used deceit and misinformation as a method to achieve victory."

Surrounding the earth, beginning at an altitude of 1,000 miles and extending an additional 25,000 miles, lie lethal bands of radiation called the Van Allen Radiation Belts. Every manned space mission in history (including Mercury, Gemini, Soyuz, Skylab and the Space Shuttle) has been well below this deadly radiation field...all except Apollo. Recently uncovered footage of the crew of Apollo 11 staging part of their mission proves that the astronauts never made it beyond earth orbit. The goal was to fool the Soviet Union about US strategic capability during the height of the Cold War. Deceit, Greed, and Injustice...A sad thing happened on the way to the moon. The truth will astound you! (Excerpt from DVD)

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Ghosts of Abu Ghraib

Directed by Rory Kennedy


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1 Hour and 18 Minutes

"There is no such thing as a little bit of torture." –Alfred W. McCoy

The familiar and disturbing pictures of torture at Iraq's Abu Ghraib prison raise many troubling questions: How did torture become an accepted practice at Abu Ghraib? Did U.S. government policies make it possible? How much damage has the aftermath of Abu Ghraib had on America's credibility as a defender of freedom and human rights around the world?

Acclaimed filmmaker Rory Kennedy (HBO's "Indian Point: Imagining the Unimaginable") looks beyond the headlines to investigate the psychological and political context in which torture occurred when the powerful documentary GHOSTS OF ABU GHRAIB.

"How could ordinary American soldiers come to engage in such monstrous acts?" Kennedy asks. "What policies were put into place that allowed this behavior to flourish while protections granted to prisoners under the Geneva Conventions were ignored?"

"These photographs from Abu Ghraib have come to define the United States," says Scott Horton, chairman, Committee on International Law, NYC Bar Association. "The U.S., which was viewed as certainly one of the principal advocates of human rights and...the dignity of human beings in the world, suddenly is viewed as a principle expositor of torture."

For the first time, GHOSTS OF ABU GHRAIB features both the voices of Iraqi victims (interviewed in Turkey after arduous attempts to meet with them) and guards directly involved in torture at the prison. Conducted by Kennedy, these remarkably candid, in-depth interviews shed light on the abuses in an unprecedented manner. (Excerpt from main website)

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Gitmo: The New Rules of War

Directed by Erik Gandini & Tarik Saleh


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1 Hour and 20 Minutes

"In the wake of the 9/11 2001 terrorist attacks, the United States opened a prison camp at Guantanamo Bay, Cuba. The hundreds of prisoners believed to be detained there are not afforded prisoners of war status according to the Geneva Convention. They are labeled unlawful combatants, held indefinitely with no right to a lawyer or a trial."

Gitmo: The new rules of war is a Swedish documentary about the Guantanamo Bay Naval Base by Erik Gandini and Tarik Saleh. Features interviews with Janis Karpinski, Mehdi Ghezali and Geoffrey Miller (MG), among others.

Gitmo premiered at IDFA in 2005, and reached mainstream theaters in Sweden on February 10, 2006.

In 2003, a year after Swedish citizen Mehdi Ghezali was detained at "Gitmo", which sparked some media interest in Sweden, Erik and Tarik started filming the documentary and visited the base on a guided tour of selected areas. Mehdi Ghezali was released in 2004, and was interviewed for the film.

In 2006, the musical score composed by Krister Linder won first prize for music in a TV feature at the Festival international Musique et Cinéma in Auxerre, France. (Excerpt from Wikipedia)

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The Ground Truth: After The Killing Ends

Directed by Patricia Foulkrod


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1 hour and 18 Minutes

"Bomb the village, Kill the people, Throw some napalm in a square, Do it on a Sunday morning, Kill them on their way to prayer, Ring the bell inside the schoolhouse, Watch those kiddies gather around, Lock and load with your 240, Mow them little motherfuckers down." –U.S. Army Chant

Hailed as "powerful" and "quietly unflinching," Patricia Foulkrod's searing documentary feature includes exclusive footage that will stir audiences. The filmmaker's subjects are patriotic young Americans - ordinary men and women who heeded the call for military service in Iraq - as they experience recruitment and training, combat, homecoming, and the struggle to reintegrate with families and communities. The terrible conflict in Iraq, depicted with ferocious honesty in the film, is a prelude for the even more challenging battles fought by the soldiers returning home – with personal demons, an uncomprehending public, and an indifferent government. As these battles take shape, each soldier becomes a new kind of hero, bearing witness and giving support to other veterans, and learning to fearlessly wield the most powerful weapon of all - the truth. (Excerpt from video.google.com )

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Gulf War Syndrome: Killing Our Own

Directed by Gary Null


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1 Hour and 54 Minutes

"The Gulf War veterans were, without a doubt, exposed to biological and chemical weapons, radiation weapons, the vaccines. Our troops were exposed, in no uncertain terms, have come back with the symptoms of those exposures, but yet have been denied treatment."

After the Vietnam War, hundreds of thousands of U.S. veterans suffered toxic reactions, neurological damage, and rare cancers due to exposure to 2,4,5,-D and 2,4,5-T dioxin that was used in the form of the defoliant Agent Orange. Unfortunately, the U.S. military denied the problem and failed to heed any of the lessons of this chemical butchery. Instead, it expanded its harmful legacy to the current generation of soldiers and civilians exposed to new, more deadly chemical toxins in the Persian Gulf.

Join accomplished filmmaker Gary Null, PhD, as he explores the real truth about Gulf War Syndrome and the secrets about chemical and germ warfare that the U.S. government is hiding from its veterans and the public. Dr. Null uncovers the hidden truths about Gulf War Syndrome, including the deadly and toxic effects of armor-piercing radioactive depleted uranium, the use of experimental and risky vaccines on over 1,100,000 U.S. troops, and the indescribable chemical contamination and environmental devastation that the military caused during the Persian Gulf Wars. In this film, Dr. Null relies on compelling testimony from eyewitnesses who served in the military, leading doctors and scientists who specialize in chemical exposure, and those veterans still suffering from the effects of their tours of duty. (Excerpt from main website)

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Guns for Hire Afghanistan

Directed by Claudio Von Plata


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45 Minutes

"Business has never been so good for the modern day gunslinger. Iraq, Afghanistan, and the war on terror have stretched our regular armies to the limit. Never before have mercenaries been so highly prized."

Documentary about the secretive world of private military companies. Included is a unique interview in Kabul’s Polecharki jail with the infamous American prisoner Jack Idema – an ex Marine Special Forces soldier who turned rouge. Jack was hunting for Bin Ladin in the hope of winning the 2 million dollars U.S. award offered for Bin Laden’s head by the Bush Administration. Eventually, Afghan authorities arrested Idema on charges of kidnapping people and interrogating them in a private prison. (Excerpt from main website)

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Hearts and Minds

Directed by Peter Davis


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1 Hour and 52 Minutes

"The Oriental doesn't put the same high price on life as does the Westerner. Life is cheap in the Orient. " –Gen. William Westmoreland

Hearts and Minds is an Academy Award winning documentary about the Vietnam War directed by Peter Davis. The film's title is based on a quote from President Lyndon B. Johnson: "the ultimate victory will depend on the hearts and minds of the people who actually live out there".[1] The movie was chosen as Best Feature Documentary at the 47th Academy Awards presented in 1975.

The film premiered at the 1974 Cannes Film Festival. Commercial distribution was delayed in the United States due to legal issues, including a temporary restraining order obtained by one of the interviewees, former National Security Advisor Walt Rostow who had claimed through his attorney that the film was "somewhat misleading" and "not representative" and that he had not been given the opportunity to approve the results of his interview.[2] After Columbia Pictures refused to distribute the picture, Bert Schneider and Henry Jaglom purchased back the rights and released the film in March 1975 through Warner Bros. A planned December 18, 1974 opening in Los Angeles, California was canceled after the production company had been unable to pay the $1 million needed to buy the rights from Columbia Pictures. The film was ultimately played in Los Angeles for the one week it needed to be eligible for consideration in the 1974 Academy Awards.[3] (Excerpt from Wikipedia)

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Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire

Produced by Media Education Foundation


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1 hour and 10 Minutes

"The people can always be brought to the bidding of their leaders. That is easy. All you have to do is tell them that they are being attacked and denounce the peacemakers for lack of patriotism and exposing the country to danger. It works the same in any country." –Herman Goering, Nazi Reich Marshall

Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire examines how a radical fringe of the Republican Party used the trauma of the 9/11 terror attacks to advance a pre-existing agenda to radically transform American foreign policy while rolling back civil liberties and social programs at home. The documentary places the Bush Administration's false justifications for war in Iraq within the larger context of a two-decade struggle by neoconservatives to dramatically increase military spending in the wake of the Cold War, and to expand American power globally by means of military force. (Excerpt from video.google.com)

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Holes In Heaven? HAARP and Advances in Tesla Technology

Directed by Wendy Robbins


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51 Minutes

"The late Carl Sagan said 'We've arranged a global civilization in which most crucial elements profoundly depend on science and technology. We've also arranged things so that almost no one understands science or technology. We might get away with it for a while, but sooner or later, this combustible mixture of ignorance and power is going to blow up in our faces."

Are we making Holes in Heaven? HAARP (High Frequency Active Auroral Research Program) is a controversial high frequency radio transmitter, or "ioniospheric heater," which is believed to be descended from the works of Nikola Tesla and is operated by the U.S. Navy/Air Force and Phillip Laboratories in remote Gakona, Alaska.

Using HAARP, the military can focus a billion-watt pulsed radio beam into our upper atmosphere, ostensibly for ionospheric research. This procedure will form extremely low frequency waves and send them back to the Earth, enhancing communications with submarines and allowing us to "see" into the Earth, detecting anything from oil reserves to underground missile silos.

However, several researchers claim HAARP poses many dangers, including blowing thirty-mile holes in the Earth's upper atmosphere. They also warn of possible disruption of the subtle magnetic energies of our Earth and ourselves.

Holes in Heaven? is a prime example of grassroots filmmaking by producer Paula Randol-Smith and Emmy-winning director Wendy Robbins. Narrated by Martin Sheen, the film, investigates HAARP, its history and implications, and examines the dangers and benefits of high and low frequencies and of electromagnetic technology.(Excerpt from main website)

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Human Resources

Directed by Scott Noble


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1 Hour and 59 Minutes

"Give me a baby and I can make any kind of man." -John B. Watson

'Give me a baby and I can make any kind of man.' These are the words of John B. Watson, the founder of behaviorism. According to this world view, the behavior of organisms, including human beings, is predictable and therefore controllable.

In 1920, at John Hopkins University, Watson experimented on several babies ranging in age from 3 months to a year. The experiments were remarkable in their simplicity. He would present a candle to infants to see if they were afraid of fire, he would introduce animals to their environment to see if children were afraid of them naturally or only after a traumatic experience. He would make a hissing noise and observe the results. Watson learned that new born babies had no fear of the dark. He also learned however that such fear could be conditioned, and so it was, with rabbits.

From his experiments, Watson reached a radical conclusion which would come to define political and social engineering in the 20th century. The driving force in society he claimed is not love, but fear.  (Excerpt from film)

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The Illuminati

Produced by Christopher Everard-Jurquet


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5 Hours
3 Volumes

"This is a giant geopsychopolitical picture and things are happening with the use of subliminal indirect reverse psychological propaganda. It's made to be confusing by the evilarchy that controls not only the United States but Britain. This Illuminati, this group who calls themselves the enlightened ones, had gained positions of power through control of the banking system." –Anthony J. Hilder

Billions of people on planet earth are living in ignorance.  Before your very eyes, politicians are advancing a global plan. Since the time of Napoleon, secret societies have been influencing politicians to take over and conquer Europe. Now, in the 21st century, their work of ages is coming to fruition.  The New World Order is about the centralization of power. It's about silencing any public criticism of the system. It's about commercializing and selling everything as a product. It's about letting China torture students and still allowing them to host the Olympics. It's about closing down government owned schools and hospitals, turning them into apartments, and then letting private companies make profits from teaching your children or selling you drugs. The secret societies and political organizations running the New World Order use various symbols and numbers. Once you learn their secret language, you too will have the All Seeing Eye. (Excerpt from film)

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Independent Media In a Time of War

Produced by Hudson Mohawk Independent Media Center


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30 Minutes

"The media are among the most powerful institutions on earth ‘cause they’re not only among the wealthiest, but they are the way the whole world views us and we view each other. " –Amy Goodman

Part scathing critique, part call to action, "Independent Media In A Time Of War" is a hard-hitting new documentary by the Hudson Mohawk Independent Media Center (www.hm.indymedia.org). This film is composed of a speech given by Amy Goodman, host of Democracy Now! illustrated by clips of mainstream media juxtaposed with rare footage from independent reporters in Iraq. The documentary argues that dialogue is vital to a healthy democracy. "Independent media has a crucial responsibility to go to where the silence is," says Amy Goodman, "to represent the diverse voices of people engaged in dissent." She makes a compelling argument that the commercial news media have failed to represent the "true face of war." (Excerpt from video.google.com)

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Inside Burma - Land of Fear

Directed by David Munro


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52 Minutes

"More than a million people have been forced from their homes and according to the United Nations, untold thousands have been massacred, tortured, and subjected to a modern form of slavery. Burma, says Amnesty International, is a prison behind bars."

John Pilger and David Munro go undercover in one of the world's most isolated, and extraordinary countries, Burma, which AmnestyInternational calls 'a prison without bars'. They discover slave labour preparing for tourism and foreign investment. International Actual Award for Risk Journalism, Barcelona, Spain, 1996; Bronze Plaque in the category of 'Social Issues - International Relations', The Chris Awards, Ohio, 1996; Gold Special Jury Award, 'Film & Video Production division', WorldFest-Charleston, 1996; Award for Best Factual Programme, RTS Midland Centre Awards, Birmingham, 1996; Gold Apple in the category 'Politics: Social organisations in other lands', National Educational Media Network Film & Video Competition at The 1997 NEMN Apple Awards, Oakland, California, 1997; the updated version won a Gold Special Jury Award in the 'Film & Video Production division', WorldFest-Houston, 1999. (Excerpt from video.google.com)

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Invisible Children

Directed by Jason Russell, Bobby Bailey, and Laren Poole


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55 Minutes

"Without having seen the suffering in Northern Uganda, I'm appalled frankly, it's a moral outrage to see thousands of children that have been abducted, that are maltreated, that go through the most horrendous torture by the rebel movement and also the same groups now being neglected, to some extent, by the whole international community. I can not find any other part of the world having an emergency at the scale of Uganda with so little international attention."

What started out as a film-making adventure in Africa, transformed into much more, when the three young American’s (Jason Russell, Bobby Bailey, and Laren Poole) original travels took a divine turn, and they found themselves stranded in Northern Uganda. They discovered children being kidnapped nightly from their homes and subsequently forced to become fight as child soldiers. This film is dedicated to exposing this tragic, and amazingly untold story.

Even at this moment, in Uganda, Children as young as 8 are methodically kidnapped from their homes by a rebel group called the “Lord’s Resistance Army” (LRA). The abducted children are then desensitized to the horror of brutal violence and killing, as they themselves are turned into vicious fighters. Some escape and hide in constant fear for their lives. Most remain captive, and grow to maturity with no education other than life “in the bush” and fighting in a guerilla war. Of the many ramifications that a 20 -year-long war can cause, the film “Invisible Children: Rough Cut” highlights what the community refers to as “NIGHT COMMUTERS.” We watch thousands of children “commute” out of fear, from their villages to nearby towns each night in order to avoid the LRA (Lord’s Resistance Army) abductions. They sleep in public places, vulnerable, and without supervision. (Excerpt from main website)

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The Invisible Machine: Electromagnetic Warfare

Directed by Barbara Doran & Jon Whalen


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45 Minutes

"We’re just learning enough about science to be dangerous. It’s like giving a kindergartner a hand grenade and hoping they don’t pull the pin."

Imagine the future – a strange new weapon is detonated high over a large city. There is no explosion, no visible destruction, but everything electronic within the range of this weapon will go out … permanently. Every electronic gadget in every home and office – disabled. No computers, no T.V., no life support systems in hospitals, no water supply, no heat, no lights – truly, a return to the dark ages. Imagine a full range of new weapons; one can take out the electricity in your city, another can destroy you. If you haven’t heard about these weapons, it’s no surprise. Their development has been secretive and they sound more like science fiction than reality. When did this reality really begin and how far advanced is it now? This revealing documentary opens the window on this -until now- secretive science. (Excerpt from film)

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Dispatches: Iraq - The Reckoning

Directed by James Brabazon


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48 Minutes

"But the real Iraq is not on the road to a Democracy. It’s not in the slightest bit interested in becoming a Westernized liberal unitary state."

Peter Oborne, political editor of the Spectator, reports on the West's exit strategy for Iraq. He believes the invasion of Iraq is proving to be the greatest foreign policy failure since Munich. Oborne argues that the plan to transform Iraq into a unified liberal democracy, a beacon of hope in the Middle East, is pure fantasy. Reporting on location with US troops in Sadr City, and through interviews with leading figures in Britain and the US, Oborne argues that the coalition and its forces on the ground are increasingly irrelevant in determining the future of Iraq - a future that's unlikely to be either unified, liberal or democratic.

The film includes interviews with Richard Perle, Peter Galbraith, Deputy Chief of Army staff General Jack Keane. Oborne also interviews Rory Stewart, who worked as a deputy governor in Nasyriah and witnessed first hand the rise of the pro-Iranian fundamentalist parties that are now at the heart of the Iraqi government. (Excerpt from main website)

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Dispatches: Iraq - The Women's Story

Produced and Directed by Fiona Campbell


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48 Minutes

"What else have they done besides makes houses fall, destroy families, make little children orphans."

The invasion of Iraq heralded promises of freedom from tyranny and equal rights for the women of Iraq. But three years on, the reality of everyday life for women inside Iraq is a different story.

To make this film, two Iraqi women risk their lives to spend three months travelling all over the country with a camera to record the lives and experiences of women they meet.

Dispatches: Iraq: The Women's Story provides a compelling account of a life inside Iraq that is rarely seen on news bulletins: stories of ordinary women whose struggle to survive has only worsened since the war. (Excerpt from main website)

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Iraq For Sale: The War Profiteers

Directed by Robert Greenwald


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1 Hour and 15 Minutes

"Forty cents out of every dollar that Congress controls now goes to contractors."

Iraq for Sale: The War Profiteers is a documentary about the ongoing Iraq War and the behavior of companies with no-bid contracts working within Iraq. The movie was made by Robert Greenwald and Brave New Films. Specifically, the film claims four major contractors are over-billing the government (and by extension, the American public) and doing substandard work while endangering the lives of American soldiers and private citizens. The documentary contends these companies are composed of ex-military and ex-government workers who unethically help their companies get and keep enormous contracts and milk the American taxpayer. The companies criticized are: Blackwater, KBR-Halliburton, CACI, and Titan. (Excerpt from Wikipedia)

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Iron Triangle: The Carlyle Group

Directed by de IJzeren Driehoek


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48 Minutes

"The iron triangle is in some ways is uniquely an American phenomenon. It’s the confluence of the military, big business, and politics. And the combination of these three things is something that a number of U.S. presidents in the past have warned against. In particular Dwight Eisenhower was very up front about warning against the possibility of creating a military industrial complex. By that he means a group of… a business built around defense and military that becomes so large and so powerful that it’s actually able to influence the politics of war."

The Bush family, the Saudi Royal family, Osama Bin Laden's family and Donald Rumsfeld's inner circle - these are just some of the high profile figures who have played a direct role in the rise of one of the most powerful and influential and secretive firms in Washington.

The company is called The Carlyle Group. And in the wake of the events of September 11th and the invasion of Iraq, its power and influence have become significantly stronger.

The company operates within the so-called iron-triangle of industry, government and the military. Its list of former and current advisers and associates includes a vast array of some of the most powerful men in America and indeed around the world.

This program exposes the history of the Carlyle Group, from it's inception as a private equity firm to it's precent status as one of the largest defence contractors in the world. (Excerpt from video.google.com)

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The Iron Wall

Directed by Mohammed Alatar


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57 Minutes

"Zionist colonization must either stop, or else proceed regardless of the native population. Which means that it can proceed and develop only under the protection of a power that is independent of the native population - behind an IRON WALL, which the native population cannot breach." –Vladimir Jabotinsky

From that day these words became the official and unspoken policy of the Zionist movement and later the state of Israel. Settlements were used from the beginning to create a Zionist foothold in Palestine.

After 1967 and the occupation of the West Bank and Gaza, the aim of the settlement movement became clear - create facts on the ground and make the creation of a Palestinian state impossible. Thirty nine years of occupation and the policy started showing results. There are now more than 200 settlements and outposts scattered throughout the West Bank blocking the geographic possibility of a contiguous Palestinian territory.

The Iron Wall documentary exposes this phenomenon and follows the timeline, size, population of the settlements, and its impact on the peace process. This film also touches on the latest project to make the settlements a permanent fact on the ground - the wall that Israel is building in the West Bank and its impact on the Palestinian's peoples.

Settlements and related infrastructures are impacting every aspect of life for all Palestinians from land confiscation, theft of natural resources, confiscation of the basic human rights, creation of an apartheid-like system, to the devastating impact in regards to the future of the region and the prospect of the peace process.

Palestinians and Israelis began the peace process based on a very simple principle: land for peace. Settlements destroy that principle and create a land with no peace. (Excerpt from main website)

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Israel's Secret Weapon

Produced and Directed by Giselle Portenier


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45 Minutes

"Here was someone who said he'd worked right inside the plutonium separation plant helping to fabricate atomic weapons; who had taken photographs of the machinery and who had lots of information about how much material was being processed, and so on."

Which country in the Middle East has undeclared Nuclear weapons? Which country in the Middle East has undeclared biological and chemical capabilities? Which country in the Middle East has no outside inspections? Which country jailed its nuclear whistleblower for 18 years?

Vanunu told the world that Israel had developed between one hundred and two hundred atomic bombs and had gone on to develop neutron bombs and thermonuclear weapons. Enough to destroy the entire Middle East and nobody has done anything about it since.

It's thought plutonium is made in Dimona; nuclear weapons are assembled at Yodefat and stored at Zachariah and Eilabun. Three nuclear submarines are based in Haifa and Israel's biological and chemical warfare laboratories are at Nes Ziona.

Israel never comments on such reports. But evidence continues to emerge. In 1992 an Israeli cargo plane crashed in Amsterdam killing forty-three people. The Israelis claimed it was carrying flowers and perfume. It took six years and a Dutch parliamentary enquiry before they admitted it was carrying DMMP, a key component for sarin nerve gas. The DMMP was bound for The Israeli Institute of Biological Research at Nes Ziona, one of Israel's most secret defence sites. It is subject to no international inspection and reporting of its activities in Israel is prevented by strict military censorship. (Excerpt from film)

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The Killing of Kashmir

Directed by Rodrigo Vasquez


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49 Minutes

"I would soon learn the security forces and the militants take who they want, they torture, and they kill. Caught in the middle are the people of Kashmir."

More than 60,000 people, mostly innocent civilians, have died in the 15-year conflict. Half a million Indian troops are stationed in Kashmir, fighting Pakistani-funded militants who slip across the border to attack the troops but also to terrorise the local population into giving them shelter and assistance.

While both governments talk of peace, Unreported World reveals that, on the ground, very little has changed. For the local villagers life is a cycle of militant violence and government repression. The team arrive in Srinagar to find Indian police have just violently beaten a group of women who are protesting about the detention of two men and a woman for alleged links to pro-Pakistan militants.

Two sisters tell Jordan that around 25 masked troops from a Special Operations Group had burst in through the window and grabbed their father, mother and uncle. The children are terrified that their parents may join the 8,000 people who international human rights groups say have "disappeared" after being taken away by the security forces over the last 15 years. (Excerpt from video.google.com)

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Dispatches: The Killing Zone

Directed by Channel4.com


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49 Minutes

"Rachel Corrie, American, killed by an Israeli army bulldozer. Tom Hurndall, British, shot in the head by an Israeli army sniper. James Miller, British, shot dead by the Israeli army. If foreigners are dying like this in Gaza, what's happening to the people that live there?"

Palestinian civilians live under the threat of Israeli Defence Force attacks that do not discriminate between militants and children. Israeli setlers live in fear of suicide attacks. But it is not only Palestinians and Israelis who are dying. Since the Gulf war, three Westerners have come under Israeli army attack.

An American peace activist was crushed to death by an IDF bulldozer; a British peace protester was shot in the head by an IDF sniper and remains in a coma; and last weekend, a British cameraman was shot dead by the IDF.

Within hours of arriving Sandra and Rodrigo are shot at and tear-gassed by Israeli troops breaking up a memorial service for Rachel Corrie, an American peace activist crushed by an Israeli Army bulldozer two days before.

That sets the tone for a five-week stay in which they document the shooting by Israeli troops of the British peace campaigner Tom Hurndall, the death of James Miller, the award-winning cameraman who worked extensively for Channel 4, killed as he filmed Israeli troops bulldozing Palestinian homes, and the deaths and mutilation of many innocent Palestinians and Israelis. (Excerpt from website)

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The Living Dead: Three Films About the Power of the Past (3-part series)

Produced by Jüri Lina


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50 Minutes
3 part series

"Out of the carnage in Europe 50 years ago, the Allies selected certain memories. They used them to build the official version of the good war. This film is about how that happened. It tells why certain memories have to be buried and forgotten because they contradicted the optimism of the big historical picture."

The Living Dead (subtitled Three Films About the Power of the Past) was the second major documentary series made by British film-maker Adam Curtis. In three parts, it was transmitted on BBC Two in the spring of 1995.

Episode 1 - On the Desperate Edge of Now

This episode examined how the various national memories of the Second World War were effectively rewritten and manipulated in the Cold War period.

For Germany, this began at the Nuremberg Trials, where attempts were made to prevent the Nazis in the dock—principally Hermann Göring—from offering any rational argument for what they had done. Subsequently, however, bringing lower-ranking Nazis to justice was effectively forgotten about in the interests of maintaining West Germany as an ally in the Cold War.

For the Allied countries, faced with a new enemy in the Soviet Union, there was a need to portray WW2 as a crusade of pure good against pure evil, even if this meant denying the memories of the Allied soldiers who had actually done the fighting, and knew it to have been far more complex. A number of American veterans told how years later they found themselves plagued with the previously-suppressed memories of the brutal things they had seen and done. The title comes from a veteran's description of what the uncertainty of survival in combat is like.

Episode 2 - You Have Used Me as a Fish Long Enough

In this episode, the history of brainwashing and mind control was examined. The angle pursued by Curtis was the way in which psychiatry pursued tabula rasa theories of the mind, initially in order to set people free from traumatic memories and then later as a potential instrument of social control. The work of Ewen Cameron was surveyed, with particular reference to Cold War theories of communist brainwashing and the search for hypnoprogammed assassins.

The programme's thesis was that the search for control over the past via medical intervention had had to be abandoned and that in modern times control over the past is more effectively exercised by the manipulation of history.

Some film from this episode, an interview with one of Cameron's victims, was later re-used by Curtis in his The Century of the Self.

The title of this episode comes from a paranoid schizophrenic seen in archive film in the programme, who believed her neighbours were using her as a source of amusement by denying her any privacy, like a pet goldfish.

Episode 3 - The Attic

In this episode, the Imperial aspirations of Margaret Thatcher were examined. The way in which Mrs Thatcher used public relations in an attempt to emulate Winston Churchill in harking back to Britain's "glorious past" to fulfil a political or national end.

The title is a reference to the attic flat at the top of 10 Downing Street, which was created during Thatcher's period refurbishment of the house, which did away with the Prime Minister's previous living quarters on lower floors. Scenes from The Innocents (film) the adaptation of The Turn of the Screw by Henry James are intercut with Thatcher's reign. (Excerpt from Wikipedia)

The Loss of Liberty

Produced by Howard Films


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52 Minutes

"Worst of all is what our government is doing to cover all this whole thing up. When I heard that Johnson, in the heat of the battle, was telling the admiral guys of the 6th fleet, that he didn't give a damn if every man drowned and the ship sinks. He said 'I don't give a damn if every man drowned and the ship sinks, I don't want to embarrass our allies. That makes you sort of wonder with unmarked planes, how did he know it was our allies?" –Josey Toth Linen

Loss of Liberty' dramatically proves, beyond any doubt, that the attack by Israel on June 8, 1967 against the US naval intelligence gathering ship USS Liberty, in which 34 Americans were killed and 171 wounded, was deliberate. The video first lets Israeli officers make their totally unconvincing case that the attack was a 'tragic accident' when the Israelis mistook the much larger and differently configured USS Liberty for the totally unlike Egyptian ship El Quseir.

This filmed testimony by dozens of USS Liberty survivors demolishes Israel’s 'tragic accident' claim. Former Secretary of State Dean Rusk and former chairman of the Joint Chiefs of Staff Admiral Thomas Moorer are representative of the honored high-ranking Americans supporting the condemnation of deliberate aggression against the United States by 'ally' Israel.

'Loss of Liberty' makes clear that then-President Lyndon Johnson conspired with Israel and its Israel-First supporters inside the US government to support the 'tragic accident' scheme. Johnson was bogged down at the time in the Vietnam war, and thought he needed Israel Lobby support. Still, Johnson’s behaviour is as unforgivable now as it was then. (Excerpt from video.google.com)

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Martial Law 9/11: The Rise of the Police State

Directed by Alex Jones


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2 Hours and 35 Minutes

"We're dealing with a group of predators, an elite that sees us as cattle, as their slaves. They want to train us to be predators like they are. To join them in their quest for world empire. To be their cannon fodder." –Alex Jones

If you don't know who Alex Jones is, you will never forget him after watching this ground-shaking documentary about the creeping police state in the United States. know that the north and south towers of the World Trade Center Complex were not the only two buildings to collapse that day? Did you know a third one collapsed hours after the collapses of the twin towers? How did this third building collapse if it wasn't hit by an airplane? Loose Change raises such questions and other blatent contradictions about the official 9/11 story fed to us by the government and media. By far one of the most comprehensive documentaries questioning what really happened on 9/11 and who should really be held accountable.

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Militainment, Inc. - Militarism & Pop Culture

Directed by Roger Stahl


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2 Hours and 2 Minutes

"In 2003 a new word was introduced into the English language: Militainment. We now consume war in much the same way we consume any other mode of entertainment. This has become a prominent feature of American life in the 20th Century. The blending of war an entertainment is not necessarily a new phenomenon. What is new is the massive collaboration between the Pentagon and the entertainment industries."

Militainment, Inc. offers a fascinating, disturbing, and timely glimpse into the militarization of American popular culture, examining how U.S. news coverage has come to resemble Hollywood film, video games, and "reality television" in its glamorization of war. Mobilizing an astonishing range of media examples - from news anchors' idolatry of military machinery to the impact of government propaganda on war reporting - the film asks: How has war taken its place in the culture as an entertainment spectacle? And how does presenting war as entertainment affect the ability of citizens to evaluate the necessity and real human costs of military action? The film is broken down into nine sections, each between 10 and 20 minutes in length, allo wing for in-depth classroom analysis of individual elements of this wide-ranging phenomenon. (Excerpt from main website)

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Mind Control: America's Secret War

Directed by Richard I. Schmidt


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43 Minutes

"This is way out of the realm of fiction or supposition or conspiracy theory or speculation. This is absolute documented fact."

It is one of the ill-kept secrets of America's intelligence agencies--for decades, they have worked virtually non-stop to perfect means of controlling the human mind. But while many have suspected the existence of these projects, the details have long been preserved.

MIND CONTROL blows the lid off years of chilling experiments, drawing on documents reluctantly released through the Freedom of Information Act and interviews with some of the victims, including a woman whose past was literally taken away. Hear from John Marks, the author of In Search of the Manchurian Candidate, who broke the story of the CIA's abuses by unraveling the mysteries contained in financial records. All the other records pertaining to the experiments were destroyed by the agency in an attempt to prevent the details from ever being known.

After viewing this important program, you'll have reason to wonder about your own thoughts... (Excerpt from main website)

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Monarch: The New Phoenix Program

Produced by Marshal Thomas


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45 Minutes

"These weapons are more dangerous than atomic destruction. With knowledge of the brain, we may transform, we may shape, direct, robotosize man. I think the great danger of the future is that we will have roboticize human beings who are not aware that they have been roboticized." –Dr. Jose Delgado

The Phoenix Program, assassinating suspected VC sympathizers in a systematic manner, worked well during the Vietnam War and is the blueprint for the current black op targeting thousands of loyal Americans using state of the art microwave (MW) and radio frequency radiation (RFR) weapons. The motivation to suppress domestic dissidents and to assassinate loyal American opposition stems from the perception of dissent against the war as treason. This philosophy is stated very clearly in the MindWar paper written by NSA General Aquino. The DOD has a huge stake in futuristic technology that kills by ionizing and non-ionizing radiation, leaving little or no trace. The indiscriminant killing of the Phoenix Program continues on American soil. The terms soft kill, slow kill and silent kill refer to the new way of killing the enemy in conflicts short of war and the small wars of the future.

The counterinsurgency doctrine has now been applied to the home front, so that the perceived betrayal of the military in Vietnam will not be repeated. The generation of CIA and military intelligence led by Shackley, Helms, Casey, Abrams, Singlaub, Secord, John B. Alexander, Michael Aquino, Paul Vallely, and others have built the perfect beast, using selective assassination that leaves no trace. The ability to cull the human herd with Silent Kill technology allows a few personalities to remake the entire society in their own image. (Excerpt from main website)

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The Money Masters

Produced by themoneymasters.com


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3 Hours and 35 Minutes

"The Government should create, issue, and circulate all the currency and  credits needed to satisfy the spending power of the Government and the buying power of  consumers. By the adoption of these principles, the taxpayers will be saved immense sums of interest. Money will cease to be master and become the servant of humanity." –Abraham Lincoln

THE MONEY MASTERS is a 3 1/2 hour non-fiction, historical  documentary that traces the origins of the political power structure that rules our nation and the world today. The modern political power structure has its roots in the hidden  manipulation and accumulation of gold and other forms of money. The development of fractional reserve banking practices in the 17th century brought to a cunning  sophistication the secret techniques initially used by goldsmiths fraudulently to accumulate wealth. With the formation of the privately-owned Bank of England in 1694, the  yoke of economic slavery to a privately-owned "central" bank was first forced  upon the backs of an entire nation, not removed but only made heavier with the passing of the three centuries to our day. Nation after nation, including America, has fallen prey to this cabal of international central bankers. (Excerpt from main website)

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Nagasaki: The Horror of "Fat Man"

Directed by Directed by Serge Viallet


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51 Minutes

"We saw people arrive completely naked. They were unrecognizable. You couldn’t even tell if they were men or women, young or old. We had to prop them up, carry them, and even push them toward the train. The part of their body we touched, their skin came off in our hands. Our hand and clothes were covered in blood, a sort of grease and pieces of flesh."

On 8 August 1945, America dropped its second atomic bomb on Nagasaki, three days after the bomb on Hiroshima. The city was a veritable apocalyptic vision, devastated by this new type of weapon whose repercussions were yet to be discovered. This second bomb marked the end of the War for Japan. The memories of survivors, both Japanese civilians and Western POW's, are even more moving than the images themselves, as they relate the morbid aftermath, the road from war to peace, the American occupation, the lost Nipponese honour, and the segregation that still affects fallout victims today. (Excerpt from website)

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The Nazis, A Warning From History (6-part series)

Produced by Laurence Rees


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50 Minutes
6 part series

"The Nazis would later try to rewrite history to say that Hitler became Chancellor simply because it was his destiny, but in reality, Hitler had been helped by economic circumstance and the support and miscalculation of others."

As the new century approaches, one historical question more than any other demands an answer. How could a cultured nation at the heart of Europe be responsible for acts so heinous that they have altered concepts of what man is capable of. How could the Nazis come to be? This series is the definitive television history of the rise and fall of the Nazis.

Episode 1: Helped into Power

How was it possible that a cultured nation at the heart of Europe ever allowed Hitler and the Nazi party to come to power?

Episode 2: Chaos and Consent

If the Germans are famous for one quality it is efficiency. Yet the Nazi administration of Germany during the 1930’s was characterised by radical chaos.

Episode 3: The Wrong War

Hitler admired one country more than any other - Great Britain. His favourite film was the Bengal lancers which told the story of the British in India. In Mienkampf he spoke of expanding German territory tot he East. How was it possible then that in 1939 he ended up fighting the one country that he had started out wanting as an ally, Great Britain, and allied to the one country he had intended to take land from, Russia?

Episode 4: The Wild East

Poland was to become the epicentre of Nazi brutality; the place were Nazism achieved its purest and most bestial form. This is the story of the first two years of the Nazi occupation of Poland and the vicious power battles between the Nazi barons.

Episode 5: The Road to Trbelinka

How was it possible that the holocaust ever happened? With access to extraordinary new material from Lithuania including an interview with a member of the Nazi killing squads this programme examines how the Nazi could commit acts which have caused estimates of how low human can sink for ever to be altered.

Episode 6: Fighting to the End

In the summer of 1943 the Italians, seeing which way the war was going, voted Mussolini out of office declared the war over. Why couldn’t the Germans do the same? Why did it take the near total destruction of their country for them to give in?

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Nicaragua: A Nation's Right To Survive

Directed by John Pilger


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52 Minutes

"Almost all the people in Nicaragua rose up against a tyrant called Somoza, whose family had been in power for more than 40 years, put there by the United States marines. That uprising costs 50,000 lives, almost as many as died for America in Vietnam, but out of a population of less than 3 million people."

In 1979, the Sandinistas won a popular revolution in Nicaragua, putting an end to decades of the corrupt US-backed Somoza dictatorship. They based their reformist ideology on that of the English Co-operative Movement, but was to prove too 'radical' for the Reagan administration. In this film, Pilger describes the achievements of the Sandinistas and their "threat of a good example". (Excerpt from youtube.com)

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No Childhood At All

Directed by Sam Kalayanee


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28 Minutes

"If you look at those children, you can be sure that the rights of children are not protected in this country. Some of them are so badly malnourished that you’d imagine that they came from one of those disaster areas where there has been a famine, and this is in the center of Rangoon."

A 30 minute video from Witness partner Images Asia which is working at the Thai-Burmese border. This documentary is about children who have become victims or participants in Burma's armed conflicts, used as porters, human shields, or human minesweepers. It shows the life of children who have been killed, forcibly conscripted, unwillingly separated from their families, kidnapped and tortured, and it includes interviews with child soldiers. (Excerpt from main website)

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No End In Sight

Directed by Charles Ferguson


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1 Hour and 42 Minutes

"This war was conceived by a very small group of people inside the Bush Administration. They have an entirely naive vision of what Iraq was and what Iraqis would once the regime fell."

The first film of its kind to chronicle the reasons behind Iraq’s descent into guerilla war, warlord rule, criminality and anarchy, NO END IN SIGHT is a jaw-dropping, insider’s tale of wholesale incompetence, recklessness and venality. Based on over 200 hours of footage, the film provides a candid retelling of the events following the fall of Baghdad in 2003 by high ranking officials such as former Deputy Secretary of State Richard Armitage, Ambassador Barbara Bodine (in charge of Baghdad during the Spring of 2003), Lawrence Wilkerson, former Chief of Staff to Colin Powell, and General Jay Garner (in charge of the occupation of Iraq through May 2003) as well as Iraqi civilians, American soldiers, and prominent analysts. NO END IN SIGHT examines the manner in which the principal errors of U.S. policy – the use of insufficient troop levels, allowing the looting of Baghdad, the purging of professionals from the Iraqi government, and the disbanding of the Iraqi military – largely created the insurgency and chaos that engulf Iraq today. How did a group of men with little or no military experience, knowledge of the Arab world or personal experience in Iraq come to make such flagrantly debilitating decisions? NO END IN SIGHT dissects the people, issues and facts behind the Bush Administration’s decisions and their consequences on the ground to provide a powerful look into how arrogance and ignorance turned a military victory into a seemingly endless and deepening nightmare of a war. (Excerpt from main website)

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Occupation 101: Voices of the Silenced Majority

Directed by Sufyan Omeish & Abdallah Omeish


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1 Hour and 28 Minutes

"The greatest enemy of knowledge is not ignorance...it is the illusion of knowledge."

A thought-provoking and powerful documentary film on the current and historical root causes of the Israeli-Palestinian conflict. Unlike any other film ever produced on the conflict -- 'Occupation 101' presents a comprehensive analysis of the facts and hidden truths surrounding the never ending controversy and dispels many of its long-perceived myths and misconceptions.

The film also details life under Israeli military rule, the role of the United States in the conflict, and the major obstacles that stand in the way of a lasting and viable peace. The roots of the conflict are explained through first-hand on-the-ground experiences from leading Middle East scholars, peace activists, journalists, religious leaders and humanitarian workers whose voices have too often been suppressed in American media outlets.

The film covers a wide range of topics -- which include -- the first wave of Jewish immigration from Europe in the 1880's, the 1920 tensions, the 1948 war, the 1967 war, the first Intifada of 1987, the Oslo Peace Process, Settlement expansion, the role of the United States Government, the second Intifada of 2000, the separation barrier and the Israeli withdrawal from Gaza, as well as many heart wrenching testimonials from victims of this tragedy. (Excerpt from main website)

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One Nation Under Siege

Directed By William Lewis


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1 Hour and 27 Minutes

"The purpose of education is to change the thoughts, actions, and feelings of students. Hitler wanted to control the education system in Germany, Stalin did in Russia, and Mao Zedong in China. You have to get a hold of the minds of the young, where you break the person's values, you break their understanding of their individuality. You bring them to consensus with the group. They become a member of the collective. It's soviet education."

Prepare to be instantly propelled into a world dominated by spying, tracking, and control as you go behind enemy lines drawn in our own backyards. One Nation Under Siege presents disturbing facts never before disclosed to a majority of the sleeping American public.  Through the research of over a dozen internationally distinguished authors, journalists and physicians, you will begin to understand the massive and ceaseless control projected onto an unsuspecting populace by a government that has finally crossed the line to fascism. (Excerpt from main website)

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Owning The Weather

Produced by Spine Films


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45 Minutes

"Chemically fertilizing the oceans, beaming microwaves to earth, covering the oceans' surfaces with polymers, steering hurricanes, none of these are far-fetched. But will science lead us to the next golden era or to absolute devastation? When we finally own the weather, what will we do with it?"

Nothing is more terrifying that weather gone. Since the very beginning we’ve search for ways to manipulate mother nature. Now thanks to technological leaps in the last three decades, the holy grail of climate science may actually be in our reach as we strive to own the weather.

Chaos theory hurricane control, advanced cloud seeding, massive ionospheric heaters, storm absorbing super gels, nano scale weather machines, some barely visible to the human eye. All of these technologies exist in some form today – many of them are being tested at this very moment. In many parts of the world, large-scale modification is already common place, and with good reason. (Excerpt from film)

Palestine Is Still The Issue

Directed by John Pilger


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52 Minutes

"This is a huge bluff of the Israeli establishment, that every criticism of its policy is anti-semitism."

In 1977, the award-winning journalist and film-maker, John Pilger, made a documentary called Palestine Is Still The Issue (1977). He told how almost a million Palestinians had been forced off their land in 1948, and again in 1967. In this in-depth documentary, he has returned to the West Bank of the Jordan and Gaza, and to Israel, to ask why the Palestinians, whose right of return was affirmed by the United Nations more than half a century ago, are still caught in a terrible limbo -- refugees in their own land, controlled by Israel in the longest military occupation in modern times.

"The fate and struggle of the Palestinians," says Pilger, "are not just critical to the overdue recognition of their basic human rights, but are also central to whether the region, and the wider world, are plunged into war. Israel is now one of the biggest military powers in the world. While nothing changes, the dangers become greater. This is a film about a nation of people, traumatized, humiliated and yet resilient. In trying to liberate less than a quarter of historic Palestine, they have had no army, no air force, and no powerful friends -- and have fought back with slingshots and now with the terrorism of the suicide bombers." (Excerpt from website)

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The Panama Deception

Directed by Barbara Trent


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1 Hour and 31 Minutes

"When George Bush became director of the C.I.A. in 1976 under President Ford, he inhereted Noriega as a contact. Despite evidence that Noriega was involved in drug trafficking, Bush kept Noriega on the payroll. In fact, he increased Noriega's salary to more than $100,000 a year and eliminated a requirement that intelligence reports on Panama include information on drug trafficking."

The Panama Deception documents the untold story of the December 1989 U.S. invasion of Panama; the events which led to it; the excessive force used; the enormity of the death and destruction; and the devastating aftermath. The Panama Deception uncovers the real reasons for this internationally condemned attack, presenting a view of the invasion which widely differs from that portrayed by the U.S. media and exposes how the U.S. government and the mainstream media suppressed information about this foreign policy disaster.

The Panama Deception includes never before seen footage of the invasion and its aftermath, as well as interviews with both invasion proponents like Gen. Maxwell Thurman, Panamanian President Endara and Pentagon spokesperson Pete Williams, and opponents like U.S. Representative Charles Rangel (D-NY.), Panamanian human rights workers Olga Mejia and Isabel Corro and former Panamanian diplomat Humberto Brown. Network news clips and media critics contribute to a staggering analysis of media control and self censorship relevant to any news coverage today, particularly during times of war.  (Excerpt from video.google.com)

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Paying the Price: Killing the Children of Iraq

Directed by John Pilger


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1 Hour and 15 Minutes

"For almost 10 years of extraordinary isolation imposed by the UN and enforced by America and Britain, have killed more people than the two atomic bombs dropped on Japan - including half a million young children."

After Iraq invaded Kuwait in 1990, the United Nations (backed strongly by the US and UK) imposed harsh sanctions on Iraq that lasted for 10 years (1991-2001); the harsh restrictions on imports of everything, including access to key medicines, resulted in over a million deaths, more than half a million of which were women and children. That's more deaths than the two atomic bombs dropped on Japan and 9/11 combined.

The purpose was regime change, but it never came. The overwhelming majority of those killed were the poor, elderly, women and children.

Empirically, sanctions overwhelmingly punish the poor, the destitute. While the sanctions were in place, the richest people in control of the resources (Saddam Hussein et al.) still had everything they wanted: food, cars, mansions, access to the best medicines, etc.

Award-winning journalist John Pilger has documented the reality of UN harsh sanctions in this hard-hitting film.  (Excerpt from video.google.com)

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Peace, Propaganda, and The Promised Land

Directed by Sut Jhally & Bathsheba Ratzkoff


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1 Hour and 19 Minutes

"When Israelis in the occupied territories now claim that they have to defend themselves, they are defending themselves in the sense that any military occupier has to defend itself against the population they are crushing... You can't defend yourself when you're militarily occupying someone else's land. That's not defense. Call it what you like, it's not defense." –Noam Chomsky

Peace, Propaganda & the Promised Land provides a striking comparison of U.S. and international media coverage of the crisis in the Middle East, zeroing in on how structural distortions in U.S. coverage have reinforced false perceptions of the Israeli-Palestinian conflict. This pivotal documentary exposes how the foreign policy interests of American political elites--oil, and a need to have a secure military base in the region, among others--work in combination with Israeli public relations strategies to exercise a powerful influence over how news from the region is reported. (Excerpt from main website)

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Frontline: Private Warriors

Produced by Marcela Gaviria & Martin Smith


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38 Minutes

"What's a little suprising is that the army corp doesn't rely on soldiers for protection; they've outsourced the job. The security company, the army corp hired, is not even American. The company, Arenas was founded by ex-members of British Special Forces and hires an assortment of ex-soldiers and retired policemen from South Africa, America, England, and Russia."

FRONTLINE returns to Iraq, this time to embed with Halliburton/KBR, and to take a hard look at private contractors who play a critical role in running U.S. military supply lines, providing armed protection and operating U.S. military bases. Their dramatic story illuminates the Pentagon's new reliance on corporate outsourcing and raises questions about where they fit in the chain of command and the price we are paying for their role in the war. If copyright becomes an issue on this video upload, it will be deleted immediately. (Excerpt from video.google.com)

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Directed by Scott Noble


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1 Hour and 39 Minutes

"Propaganda has become the primary means by which the wealthy communicate with the rest of society. Whether selling a product, a political candidate, a law, or a war, seldom do the powerful delivery messages to the public before consulting their colleagues in the public relations industry."

Here in the United States, we’re often brought up and told we don't have propaganda. That we have a hard-charging investigative crass, we have this educated, skeptical, even cynical citizenry and that if there were powerful interests trying to manage and manipulate public opinion, they would be exposed.

The reality actually is just the opposite. Academics like Alex Cary and others who’ve spent their lifetimes looking at how propaganda works, finds that it’s actually in western democracies and open societies where you need the most sophisticated sorts of propaganda.  Since World War I, thanks to people like Ivy Lee and Eddie Bernays… propaganda has become a business, this business of public relations.  (Excerpt from film)

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The Rape of Nanking

Produced by Rhawn Joseph


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1 Hour and 17 Minutes

"We had fun killing Chinese. We caught some innocent Chinese and either buried them alive, or pushed them into a fire, or beat them to death with clubs. When they were half dead we pushed them into ditches and burned them, torturing them to death. Everyone gets his entertainment this way. It's like killing dogs and cats."

The Nanking Massacre, commonly known as the Rape of Nanking, was an infamous genocidal war crime committed by the Japanese military in Nanjing, then capital of the Republic of China, after it fell to the Imperial Japanese Army on December 13, 1937. The duration of the massacre is not clearly defined, although the violence lasted well into the next six weeks, until early February 1938.

During the occupation of Nanjing, the Japanese army committed numerous atrocities, such as rape, looting, arson and the execution of prisoners of war and civilians. Although the executions began under the pretext of eliminating Chinese soldiers disguised as civilians, it is claimed that a large number of innocent men were intentionally identified as enemy combatants and executed—or simply killed outright—as the massacre gathered momentum. A large number of women and children were also killed, as rape and murder became more widespread. (Excerpt from Wikipedia)

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Ring of Power

Produced by Amenstop Productions


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5 Hours

"Although geographically separate, the city-states of London, the Vatican, and the District of Colombia are one interlocking empire called "Empire of ‘The City.’” The flag of Washington’s District of Colombia has three red stars, one for each city-state in the three city empire. This Corporate Empire of three city-states controls the world economically through London’s inner-city, militarily through the District of Colombia, and spiritually through the Vatican.”

From the mystery religions of ancient Egypt to the Zionist role in 9/11, "Ring Of Power" unrevises 4000 years of revisionist human history with never - before - seen revelations. "Ring Of Power" puzzles together the pieces of a giant puzzle into one BIG PICTURE documentary series.  ABOUT THE PRODUCER: The Producer is an experienced, award winning documentary filmmaker who, as a child, learned that her father was a member of the secretive cult of Freemasonry. She recalls many arguments between her parents over her father's secret meetings and the exclusion of women from the brotherhood. The Masonic ring that her father wore had been passed down from father to son over the generations. When she asked her father about the meaning of the letter "G" and the compass and square on his ring, she got no response. As an adult, she decided to investigate. That investigation grew into four years of intensive research into the identity and history of the diabolical globalists who she calls the "Ring Of Power". Their goal is one World Empire and one world ruler.  (Excerpt from video.google.com)

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The Road to Guantanamo

Directed by Michael Winterbottom


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1 Hour and 32 Minutes

"My name's Shafiq Rasul, and I'm from Tipton, I tell them I ain't Taliban, but they don't wanna listen. You won't believe I just came out here, for my mate's wedding, do you? I never thought my ass, would be heading for Cuba."

The film tells the disputed story of Ruhal Ahmed, Asif Iqbal and Shafiq Rasul (the 'Tipton Three'); three young British men from Tipton in the West Midlands who were captured by the Northern Alliance in Afghanistan in 2001 and detained as "enemy combatants" at Guantánamo Bay, without charge or legal representation, for nearly three years. As well as interviews with the three men themselves and archive news footage from the period, the film contains an account of the three men's experiences following their capture by the Northern Alliance, the subsequent handover to the United States military and their detention in Cuba. It contains several scenes depicting their alleged beatings during interrogation, the use of alleged torture techniques such as 'stress positions' and attempts to extract forced confessions of involvement with Al-Qaeda and the Taliban.. (Excerpt from Wikipedia)

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Salvador Allende

Directed by Patricio Guzmán


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1 Hour and 40 Minutes

"On September 11, 1973, he was overthrown by a military coup... The dictator of Pinochet crushed that democracy which had perfected itself over two centuries, and destroyed, day after day, for 18 years, the country I knew. Thousands of Chileans were murdered and tortured and hundreds of thousands went into exile."

This homage that Guzmán pays to Chile's ex-president reminds us of the radiant dream that a generation lived (where politics and utopia were synonyms). The piece is direct. It has no explicative or demonstrative information; rather, it offers a space for reflection that is human and personal and at the same time historical. The outcome is a generous film. "Salvador Allende" sold 120,000 tickets in France, with 34 copies in 5 months (from September 2004 to January 2005). It premiered in theaters in: Belgium, Spain, Switzerland, Greece, Mexico, Austria, Italy, Canada, Argentina, Uruguay and Chile (50,000 viewers). (Excerpt from main website)

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Secret Space

Produced by Christopher Everard-Jurquet


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54 Minutes

"In today’s value, the Nazis at the heart of the NASA Space Program were given more than 600 billion dollars. All NASA had to do was announce a new space project and the money was handed over so that the American government could save face in the Cold War."

SECRET SPACE takes you deep inside the dark occult world of NAZI Germany, where Jews and ex-French Resistance fighters were used as slave labour to develop rocket-based weapons such as the V2 and the V1 'Doodlebug' - the forerunner of today's 'Cruise' missile.

We explain how ex-SS Nazis were brought to America by the CIA under 'Project Paperclip' and given senior posts at NASA. We also see how NASA's Jet Propulsion Lab in Pasedena was set-up by Jack Parsons - a rocket engineer who was a disciple of Aleister Crowley. From the late 1940s onwards, an unholy alliance of O.T.O devotees, NAZIs and senior 33rd degree Freemasons dupe the American taxpayer of billions of dollars and fake several moon missions in order to further their work on secret 'black budget' operations - a series of secret space programmes designing space vehicles and weapons systems to thwart attacks by alien craft... For the first time on film we see the 'Baby Shuttle' - a small space shuttle which fits inside the payload of the existing space shuttle and is then released into outer space for covert operations.

...It sounds incredible - but SECRET SPACE contains a wealth of documents, photos and footage which proves that all this and more has come to pass.

SECRETSPACE exposes the fact that nearly all the first American astronauts into space were high ranking 32 and 33rd degree Freemasons. And that the brother of one of the Apollo Mission managers was appointed Sovereign Grand Commander of all Freemasons in America as a 'thankyou' for engineering the fake Apollo moonshots of 1969. (Excerpt from main website)

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Secrets of the CIA

Produced By Turner Original Productions


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44 Minutes

"The CIA is a state-sponsered terrorist association. They don't look at people as human beings. They are nothing but pieces on the chess board."

Secrets of the CIA reveals the truth about the CIA and how this organization is behind numerous terrorist plots throughout history. Many ex-CIA agents speak out about their experiences as agents and what they were required to do. Some of these missions even included killing of children. Most of them are now spreading the word about the crimes of the CIA and how the organization needs to be extinguished. Ralph McGehee, a reknown ex-CIA agent, is featured in this documentary. He is most famous for publishing 'Deadly Deceits.'

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Shake the World

Produced by Shen Zhou Film Studio


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1 Hour and 20 Minutes

"This is a true story that occured in 1999 in Shijazhuang City of Hebei Province, China. It is a tragic story, in which Falun Gong practitioners, people who believe in Truthfulness, Compassion, and Tolerenace, are brutally persecuted by the Chinese Communist Regime. It is a story of compassionate deeds and noble conviction."

"Shake the World" reveals the initial stages of the Chinese Communist Party's brutal persecution of Falun Gong started in July 20, 1999. It tells the story of Ding Yan, a typical Falun Dafa practitioner as she takes us through the first days of the persecution of Falun Gong, the Beijing News Conference held by Falun Gong practitioners in China on October that shocked the world, and the magnificent Guangzhou Fa Conference in November 1999. Ding Yan is eventually persecuted to death at the hands of the police after suffering brutal physical and mental torture. (Excerpt from YouTube)

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Sir! No Sir!

Directed By David Zeiger


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49 Minutes

"General, man is very useful. He can fly and he can kill. But he has one defect: He can think." –Bertolt Brecht

In the 1960’s an anti-war movement emerged that altered the course of history. This movement didn’t take place on college campuses, but in barracks and on aircraft carriers. It flourished in army stockades, navy brigs and in the dingy towns that surround military bases. It penetrated elite military colleges like West Point. And it spread throughout the battlefields of Vietnam. It was a movement no one expected, least of all those in it.  Hundreds went to prison and thousands into exile.  And by 1971 it had, in the words of one colonel, infested the entire armed services. Yet today few people know about the GI movement against the war in Vietnam.

The Vietnam War has been the subject of hundreds of films, both fiction and non-fiction, but this story–the story of the rebellion of thousands of American soldiers against the war–has never been told in film.This is certainly not for lack of evidence. By the Pentagon’s own figures, 503,926 "incidents of desertion” occurred between 1966 and 1971; officers were being "fragged” (killed with fragmentation grenades by their own troops) at an alarming rate; and by 1971 entire units were refusing to go into battle in unprecedented numbers. In the course of a few short years, over 100 underground newspapers were published by soldiers around the world; local and national antiwar GI organizations were joined by thousands; thousands more demonstrated against the war at every major base in the world in 1970 and 1971, including in Vietnam itself; stockades and federal prisons were filling up with soldiers jailed for their opposition to the war and the military. (Excerpt from main website)

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Star Wars In Iraq

Directed by Maurizio Torrealta & Sigfrido Ranucci


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45 Minutes

"For thousands of years, the way in which you have killed someone is you have hit them with a sword, a sphere, an arrow, a bullet, a bomb. It’s kinetic, you’re killing them by hitting them. And now, all of the sudden, out of nowhere, you have a completely new physical principle being applied in killing people, in which they don’t know that they’re being killed because their skin and body is being heated by high power microwaves or they are being hit by a laser that would have an instantaneous effect." –William Arkin

Al Ghezali reported that he had seen three passengers in a car all dead with their faces and teeth burnt, the body intact, and no sign of projectiles. There were other inexplicable aspects: the terrain where the battle took place was dug up by the American military and replaced with other fresh earth, the bodies that were not hit by projectiles had shrunk to just slightly more than one meter in height.

As in any war, the war in Iraq left us a dreadful gallery of horror, images of mutilations that not even doctors can explain. The witnesses refer to laser weapons, arms with mysterious effects. We do not know what kind of weapons could produce such terrible effects. We tried to learn more about it by asking for interviews to members of companies manufacturing laser and microwave weapons. Yet, the U.S. Defense Department prevented any information from being released to us, they also did not answer, up to the time to almost edited, the questions we have sent them in order to know whether or not experimental weapons had been tested in Iraq and Afghanistan.

We tracked down the Pentagon press conferences from before the beginning of the second Gulf War to see if they spoke about any new weapons being tested. The words of the Secretary of Defense and General Meyers indicated a willingness to try weapons that had never been used before. And the questions from the press about direct energy and microwave weapons made them visibly uncomfortable. (Excerpt from film)

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Frontline: The Tank Man

Produced by Antony Thomas


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1 Hour and 14 Minutes

"Standing infront of a column of tanks, no one around him, he was all alone with his shopping bags in his hands. He climbed ontop of the tank, banged on the lid and said 'get out of my city, you're not wanted here.'"

Tank Man, or the Unknown Rebel, is the nickname of an anonymous man who became internationally famous when he was videotaped and photographed during the Tiananmen Square protests on 5 June 1989. Several photographs were taken of the man, who stood in front of a column of Chinese Type 59 tanks, preventing their advance. The most widely reproduced version of the photograph was taken by Jeff Widener (Associated Press), from the sixth floor of the Beijing Hotel, about half a mile (800 m) away, through a 400 mm lens.

Another version was taken by photographer Stuart Franklin of Magnum Photos. His photograph has a wider field of view than Widener's picture, showing more tanks in front of the man. Franklin subsequently won a World Press Award for the photograph. It was featured in LIFE magazine's "100 Photos that Changed the World" in 2003. Variations of the image were also recorded by CNN and BBC film crews, on videotape, and were transmitted across the world.

The still and motion photography of the man standing alone before a line of tanks reached international audiences practically overnight. It headlined hundreds of major newspapers and news magazines and was the lead story on countless news broadcasts around the world. In April 1998, the United States magazine TIME included the "Unknown Rebel" in its 100 most influential people of the 20th century. (Excerpt from Wikipedia)

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Taxi to the Dark Side

Directed by Alex Gibney


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1 Hour and 20 Minutes

"We were being told to rough up Iraqis that wouldn't cooperate. We were also told they're nothing but dogs. Then all of the sudden, you start looking at these people as less than human and you start doing things to them that you would never dream of, and that's where it got scary." –Sgt. Ken Davis, 372nd MP Company at Abu Ghraib

TAXI TO THE DARK SIDE is a gripping investigation into the reckless abuse of power by the Bush Administration. A documentary murder mystery that examines the death of an Afghan taxi driver at Bagram Air Base, the film exposes a worldwide policy of detention and interrogation that condones torture and the abrogation of human rights. This disturbing and often brutal film is the most incisive examination to date of the Bush Administration’s willingness, in its prosecution of the “war on terror,” to undermine the essence of the rule of law. The film asks and answers a key question: what happens when a few men use the wartime powers of the executive to undermine the very principles on which the United States was founded? A Jigsaw Production.(Excerpt from main website)

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Terrorstorm: A History of Government-Sponsered Terrorism

Directed By Alex Jones


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2 Hour and 14 Minutes

"National polls show that most Americans and Westerners believe the official story of 9/11 to be a fraud. And a large part of that majority believes that 9/11 was an inside job. But the establishment press continues to contest any alternative view concerning 9/11."

Throughout history, criminal elements inside governments have carried out terror attacks against their own populations as a pretext to enslave them. TerrorStorm reveals how, in the last hundred years, Western leaders have repeatedly murdered their own citizens while posing as their saviors.

In TerrorStorm you will discover that September 11th, the attacks of 7/7 in London, and many other terrorist events were self-inflicted wounds. You will witness British Special Forces troops caught in Iraq and see official US government documents laying out plans to hijack passenger planes by remote control. You will learn how the Reichstag fire, the Gulf of Tonkin, and the US-backed Iranian coup of 1953 are all interconnected false-flag terror events.

This powerful documentary explores the mindset of the average brainwashed Westerner. It delves deeply in to the systems of control which have been scientifically-crafted to imprison their minds and keep their eyes closed to the realities of the world around them. (Excerpt from main website)

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The Trials of Henry Kissinger

Directed By Eugene Jarecki


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1 Hour and 19 Minutes

"That this man could operate at such a horrible level and not get exposed, for year after year after year after year. How many people came out against him? It's an embarrassment to my profession. I got to tell you, the dark side of Henry Kissinger is very, very dark." –Seymour Hersh

Part contemporary investigation and part historical inquiry, documentary follows the quest of one journalist in search of justice. The film focuses on Christopher Hitchens' charges against Henry Kissinger as a war criminal - allegations documented in Hitchens' book of the same title - based on his role in countries such as Cambodia, Chile, and Indonesia. Kissinger's story raises profound questions about American foreign policy and highlights a new era of human rights. Increasing evidence about one man's role in a long history of human rights abuses leads to a critical examination of American diplomacy through the lens of international standards of justice. Written by Sujit R. Varma

The film focuses on Henry Kissinger and his role in America's secret bombing of Cambodia in 1969, the approval of Indonesia's genocidal assault on East Timor in 1975, the assassination of a Chilean general in 1970, and his involvement in the 1969 Paris peace talks concerning the Vietnam Conflict. Written by Fiona Kelleghan (Excerpt from website)

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Directed by Heather Rae


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1 Hour and 18 Minutes

"The great lie is that it is civilization. It's not civilized. It has been literally the most blood thirsty brutalizing system ever imposed upon this planet. That is not civilization. That's the great lie, is that it represents civilization." -John Trudell

At its most basic level, TRUDELL is an eye-opening documentary that challenges belief systems. At its loftiest, TRUDELL will inspire you to reawaken your spirit.

In the telling of TRUDELL, Rae invested more than 12 years chronicling John Trudell's travels, spoken word, and politics. (The making of the movie, a journey in itself, is as much a story as the finished product. See the production notes.) The film combines archival, convert, and interview footage in a lyrical and naturally stylized manner, with abstract imagery mirroring the coyote nature of Trudell. (Excerpt from main website)

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USS Liberty Dead In The Water

Directed by Christopher Mitchell


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1 Hour and 8 Minutes

"Certain facts are clear.  The attack was no accident.  The Liberty was assaulted in broad daylight by Israeli forces who knew the ship's identity.  ...The President of the United States led a cover-up so thorough that years after he left office, the episode was still largely unknown to the public -- and the men who suffered and died have gone largely unhonored."

On June 8, 1967, US Navy intelligence ship USS Liberty was suddenly and brutally attacked on the high seas in international waters by the air and naval forces of Israel. The Israeli forces attacked with full knowledge that this was an American ship and lied about it. Survivors have been forbidden for 40 years to tell their story under oath to the American public. This USS Liberty Memorial web site tells their story and is dedicated to the memory of the 34 brave men who died.

After surveilling USS Liberty for more than nine hours with almost hourly aircraft over flights and radar tracking, the air and naval forces of Israel attacked our ship in international waters without warning. USS Liberty was identified as a US naval ship nine hours before the attack by Israeli reconnaissance aircraft and continuously tracked by Israeli radar and aircraft thereafter. Sailing in international waters at less than five knots, with no offensive armament, our ship was not a military threat to anyone.

The Israeli forces attacked without warning and without attempting to contact us. Thirty four Americans were killed in the attack and another 174 were wounded.  The ship, a $40 Million Dollar state of the art signals intelligence platform, was later declared unsalvageable and sold for scrap. (Excerpt from main website)

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Louis Theroux and The Ultra Zionists

Directed by Andy Wells


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58 Minutes

"This is the Jewish homeland and there's never been a Palestinian people. If they want to express themselves nationally, they can express it somewhere else in one of the other states, maybe Jordan which is primarily Palestinian origin anyways. Why should it be at the expense of the Jewish homeland? My roots are here, not theirs."

Louis Theroux spends time with a small and very committed subculture of ultra-nationalist Jewish settlers. He discovers a group of people who consider it their religious and political obligation to populate some of the most sensitive and disputed areas of the West Bank, especially those with a spiritual significance dating back to the Bible.

Throughout his journey, Louis gets close to the people most involved with driving the extreme end of the Jewish settler movement - finding them warm, friendly, humorous, and deeply troubling. (Excerpt from website)

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Uncovered: The War On Iraq

Directed by Robert Greenwald


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1 Hour and 17 Minutes

"The Bush Admininistration made up its mind to go to war on September 11th 2001. From that time on, you were dealing with rationalization and justification for the war. You weren't dealing with real causes for the war or real reasons for the war. There was never a clear and present danger. There was never an imminent threat."

UNCOVERED: The War on Iraq, filmmaker Robert Greenwald chronicles the Bush Administration's determined quest to invade Iraq following the events of September 11, 2001. The film deconstructs the administration's case for war through interviews with U.S intelligence and defense officials, foreign service experts, and U.N. weapons inspectors -- including a former CIA director, a former ambassador to Saudi Arabia and even President Bush's Secretary of the Army. Their analyses and conclusions are sobering, and often disturbing, regardless of one's political affiliations. (Excerpt from Wikipedia)

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Dispatches: Undercover In Tibet

Produced & Directed by Jezza Neumann


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48 Minutes

"Life here is incredibly hard. People are suffering from hunger and hardship. They have no jobs and they have no land. The only way they can fill theiy empty stomachs is by stealing."

As Tibetan protesters take to the streets in the biggest and most bloody challenge to Chinese rule in nearly 20 years, Dispatches reports on the hidden reality of life under Chinese occupation after spending three months undercover, deep inside the region. Dozens are feared dead after the recent clashes and crackdown by Chinese troops, but with reporting so rigidly controlled from the region little is known of living conditions inside Tibet.

To make this film, Tibetan exile Tash Despa returns to the homeland he risked his life to escape 11 years ago, to carry out secret filming with award-winning, Bafta-nominated director Jezza Neumann (Dispatches Special: China's Stolen Children). Risking imprisonment and deportation, he uncovers evidence of the "cultural genocide" described by the Dalai Lama.

He finds the nomadic way of life being forcefully wiped out as native Tibetans are stripped of their land and livestock and are being resettled in concrete camps. Tibet reveals the regime of terror which dominates daily life and makes freedom of expression impossible. Tash meets victims of arbitrary arrests, detention, torture and "disappearances" and uncovers evidence of enforced sterilisations on ethnic Tibetan women.

He sees for himself the impact of the enormous military and police presence in the region, and the hunger and hardship being endured by many Tibetans, and hears warnings of the uprising taking place across the provinces now. (Excerpt from main website)

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Dipatches: Unholy War

Directed by James Millar


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48 Minutes

"Out of 57 Islamic states, 7 impose the death sentence on Muslims who convert to another religion. In other Islamic countries, converts have been striped of their civil rights and had their marriages dissolved by the states."

Dispatches investigates the violence and intimidation facing Muslims who convert to Christianity in Britain. Dispatches reporter Antony Barnett meets former Muslims who now live under the threat of reprisals from their former communities. Many are still living in fear. He interviews a family who have been driven out of their home and a convert whose brother was beaten close to death.

The investigation uncovers a network of churches supporting converts from Islam who have to worship under a veil of secrecy. It is estimated there are as many as 3,000 Muslims who have converted to Christianity living in Britain.

Converting to another religion for a Muslim is not just considered a taboo act by some believers. Certain Islamic texts demand converts - also known as apostates - be punished severely for deserting their faith. In several Islamic states, the death penalty is imposed. Here in Britain, Dispatches discovers a form of mob justice is taking place on our streets. A concerned Christian bishop tells Dispatches that it may not be long before a British convert is killed, and implores Muslim leaders to take action. (Excerpt from main website)

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War By Other Means

Directed by David Munro


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52 Minutes

"Contrary to a myth long popular in the West, it's been the poor of the world that finance the rich - not the other way around - and this film sets out to explain why. It's also a film about war, a war you don't see on your television screens for it's seldom news. It's been describe as a silent war. Instead of soldiers dying, there are children dying...Instead of the bombing of bridges, there is the tearing down of forests and other natural resources; the bulldozing of farmland; and the running down of schools and hospitals. In many ways, it's like a colonial war. The difference is that these days, people and the resources are controlled not by viceroys and occupying armies, but by other more sophisticated means of which the principle is debt."

John Pilger and David Munro examine the policy of First World banks agreeing loans with Third World countries, who are then unable to meet the cripling interest charges. Won Geneva International TV Award at the North-South Media Encounters event, Geneva, 1993;Gold Medal in the 'Best Documentary Production category' of the International Television Movie Festival, Mount Freedom, New Jersey 1993; Gold Award in the 'Political/International Issues category' at WorldFest-Houston (Houston International Film & Video Festival), 1993; Silver Hugo Award in the 'Documentary - Social/Political category' of the 29th Chicago International Film Festival, 1993. (Excerpt from video.google.com)

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War Dance

Directed by Sean Fine and Andrea Nix Fine


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1 Hour and 46 Minutes

"Music is the most important part of Acholi culture. It is our tradition. Even war cannot take it away from us."

For the past twenty years, northern Uganda has been at war with a rebel force, the Lord's Resistance Army (L.R.A), and the country's children have been the greatest victims of the conflict. But here, the children are not only the victims of the rebels, they are the rebels. The L.R.A has a chillingly effective process to fill its ranks - abducting innocent children. Under the cover of darkness, the rebels raid villages to kidnap new soldiers. Children - some as young as five - are ripped from their beds in front of their helpless parents. Once abducted, the children are forced at gunpoint to viciously beat or kill neighbors, and sometimes even their own parents. The boys become soldiers while the girls are forced into sexual slavery.

After two decades, there is little sign of peace on the horizon. But amidst the grief and violence, voices are heard - children's voices - singing strong, without fear. Their bodies shake and stomp to the rhythms of their ancestors. They dance about their homeland, they dance about their future, they dance to be children...and they dance to win. Across the country, Ugandan children are getting ready for the biggest even of the year, the National Music Competition. Over 20,000 schools will compete, but only one will go home the champion, and no one expects it to be Patongo. Schools in refugee camps don't win awards.

WAR/DANCE follows the courageous efforts of Patongo's students as they pour their hearts into winning this years' music competition. The war has stolen their homes, their parents, and their childhood. Patongo's refugee camp packs 60,000 people into its endless squalor. There is no electricity, no running water, and no safe place. The bullet holes in the school walls tell the stories the children would rather forget. Two years ago, the L.R.A. dragged 29 students from Patongo's schoolhouse to "join" the army. (Excerpt from main website)

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War Made Easy: How Presidents and Pundits Keep Spinning Us to Death

Directed by Jeremy Earp and Loretta Alper


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1 Hour and 10 Minutes

"In real time, officials have explained and justified these military operations to the American people by withholding crucial information about the actual reasons and potential costs of military action again and again, choosing to present an easier version of war's reality; a steady and remarkably consistent storyline designed not to inform, but to generate and maintain support and enthusiasm for war."

War Made Easy reaches into the Orwellian memory hole to expose a 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Narrated by actor and activist Sean Penn, the film exhumes remarkable archival footage of official distortion and exaggeration from LBJ to George W. Bush, revealing in stunning detail how the American news media have uncritically disseminated the pro-war messages of successive presidential administrations. (Excerpt from video.google.com)

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The War On Democracy

Produced by John Pilger


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1 Hour and 34 Minutes

"President Bush has promised to rid the world of evil and to lead the great mission to build free societies on every continent. To understand such an epic lie is to understand history. Hidden history. Suppressed history. History that explains why we in the West know a lot about the crimes of others, but almost nothing about our own. The missing word is Empire. The existence of an American Empire is rarely acknowledged."

In his second inauguration address, President Bush pledged to "bring democracy to the world”. In a speech lasting 23 minutes, he mentioned the words ‘democracy’ and ‘liberty’ 21 times. Most of the world, it is fair to say, will have recoiled, many in fear...

Bush’s speech was significant because it finally emptied noble concepts like ‘democracy’ of their true meaning – government, for, by and of the people. Never before have people in the west shown such disenchantment with the democracy they vote for and the version they get. Never before has most of humanity registered such alarm at the ambitions of a great power.

The War on Democracy demonstrates the brutal reality of the America’s notion of 'spreading democracy'; that, in fact, America is actually conducting a war on democracy, and that true popular democracy is now more likely to be found among the poorest of Latin America whose grassroots movements are often ignored in the west. (Excerpt from main website)

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The War On Drugs: The Prison Industrial Complex

Produced by VPRO


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1 Hour and 33 Minutes

"It’s self perpetuating in a number of ways and one is, in a real war, it’s the military that is in fact taking the casualties. In this war, the people conducting the war – the police, the prosecutors, the courts – never suffer the consequences. They aren’t taking the casualties, it’s the general public which is taking casualties and the police and the prosecutors are only benefiting in the war in the sense they get better budgets."

The war on drugs has been going on for more than three decades. Today, nearly 500,000 Americans are imprisoned on drug charges. In 1980 the number was 50,000. Last year $40 billion in taxpayer dollars were spent in fighting the war on drugs.

As a result of the incarceration obsession, the United States operates the largest prison system on the planet, and the U.S. nonviolent prisoner population is larger than the combined populations of Wyoming and Alaska. Try to imagine the Drug Enforcement Administration erecting razor wire barricades around two states to control crime and you'll get the picture.

According to the U.S. Dept of Justice, the number of offenders under age 18 imprisoned for drug offenses increased twelvefold from 1985 to 1997. The group most affected by this propensity for incarceration is African-Americans. From 1985 to 1997, the percentage of African-American young people put in prison increased from 53 to 62 percent.

Today, 89 percent of police departments have paramilitary units, and 46 percent have been trained by active duty armed forces. The most common use of paramilitary units is serving drug-related search warrants, which usually involve no-knock entries into private homes. (Excerpt from video.google.com)

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War Photographer

Produced and Directed by Christian Frei


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1 Hour and 36 Minutes

"Every minute I was there, I wanted to flee. I did not want to see this. Would I cut and run, or would I deal with the responsibility of being there with a camera" –James Nachtwey

A film about the American photographer James Nachtwey, about his motivation, his fears and his daily routine as a war photographer. If we believe Hollywood pictures, war photographers are all hard-boiled and cynical old troopers. How can they think about 'exposure time' in the very moment of dread?

Swiss author, director and producer Christian Frei followed James Nachtwey for two years into the wars in Indonesia, Kosovo, Palestine... Christian Frei used special micro-cameras attached to James Nachtwey's photo-camera.

We see a famous photographer looking for the decisive moment. We hear every breath of the photographer. For the first time in the history of movies about photographers, this technique allowed an authentic insight into the work of a concerned photo-journalist. (Excerpt from main website)

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The War Tapes

Directed by Deborah Scranton

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1 Hour and 36 Minutes

"Why the fuck are we there? We better get that oil, right? The U.S. army is not the fucking Peace Corp. The marines are not the Peace Corp. That's not why we're in Iraq. We are in Iraq for money and oil. Look at any other war in the history of the world and tell me it's not about money...But you don't put 150,000 troops from all over the country in there and say we're there to create democracy; really to create money, you know? There to make money for us."

In March 2004, just as the insurgent movement strengthened, several members of one National Guard unit arrived in Iraq, with cameras.  THE WAR TAPES is the result – a uniquely collaborative film from a team that includes Director Deborah Scranton, Producer Robert May (THE FOG OF WAR) and Producer/Editor Steve James (HOOP DREAMS).

Straight from the front lines in Iraq, THE WAR TAPES is the first war movie filmed by soldiers themselves.  It is Operation Iraqi Freedom as filmed by Sergeant Steve Pink, Sergeant Zack Bazzi and Specialist Mike Moriarty and other soldiers.

Zack is a Lebanese-American university student who loves politics, traveling, and being a soldier. Steve is a carpenter with a sharp sense of humor and aspirations to write, which he does with insight and candor. Mike is a resolute patriot and father of two, who rejoined the army after 9/11. All of them leave women at home—a mother, a girlfriend, and a wife.

While they battled unconventional forces, they recorded events that conventional journalists have been unable to capture. They mounted tripods on gun turrets, inside dashboards and used POV mounts on their Kevlar helmets and vests. They filmed all of the footage in Iraq, which amounted to over 800 hours of tape. (Excerpt from main website)

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The War You Don't See

Directed by John Pilger


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1 Hour and 35 Minutes

"We journalists... have to be brave enough to defy those who seek our collusion in selling their latest bloody adventure in someone else's country... That means always challenging the official story, however patriotic that story may appear, however seductive and insidious it is. For propaganda relies on us in the media to aim its deceptions not at a far away country but at you at home... In this age of endless imperial war, the lives of countless men, women and children depend on the truth or their blood is on us... Those whose job it is to keep the record straight ought to be the voice of people, not power." -John Pilger

The new film is a powerful and timely investigation into the media's role in war, tracing the history of 'embedded' and independent reporting from the carnage of World War One to the destruction of Hiroshima, and from the invasion of Vietnam to the current war in Afghanistan and disaster in Iraq. As weapons and propaganda become even more sophisticated, the nature of war is developing into an 'electronic battlefield' in which journalists play a key role, and civilians are the victims. But who is the real enemy? (Excerpt from main website)

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Wars In Peace

Produced by Chris Sheridan


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36 Minutes

"This deeply traditional and xenophobic people, already alienated by Afghanistan’s communists, grew more hostile because the new regime proved totally dependent on a foreign power. Many fled the town to join the resistance and fight the invaders, the total exodus soon numbering hundreds of thousands. "

Afghanistan, war in the Hindu Kush, a war fought by the Soviet Union to prevent the spread of Islamic Fundamentalism. Like Vietnam, a conflict dominated by the helicopter gunship. Unlike Vietnam, a hit and run guerilla war not all rebels could agree how to win and one fought under often atrocious conditions for which the soviets were untrained and unprepared. Afghanistan is a remote landlocked country whose closeness to Iran's Islamic revolution scared the Kremlin. It's also a wild mountainous country with few metal roads. This lack of easy communications dictated a two pronged invasion to secure the capital Kabul and the towns along the road system.

The invasion was personally supervised by Marshal Sergei Sokolov, the Soviet's deputy defense ministry, extensively experienced as a war time tank general. He was a hawkish commander, but a conservative tactician who soon faced a federation of 24 major guerrilla groups. (Excerpt from film)

We: Arundhati Roy

Directed by Anon


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1 hour and 4 Minutes

"Nationalism of one kind or another was the cause of most of the genocide of the twentieth century. Flags are bits of colored cloth that governments use first to shrink-wrap people's brains and then as ceremonial shrouds to bury the dead. When independent- thinking people (and here I do not include the corporate media) begin to rally under flags, when writers, painters, musicians, film makers suspend their judgment and blindly yoke their art to the service of the Nation, it's time for all of us to sit up and worry."

"This is an unusual kind of underground production. An anonymous sympathiser has edited a video recording of Roy’s speech over 64 minutes, interspersing an impressive array of archival footage to illustrate themes and specific historical events. Contemporary music overlaid throughout the piece shifts the mood and quickens the pace. The result is a visual essay rather than a traditional documentary, perfectly suited to its creator’s intentions, which is to spread the anti-imperialist, social justice politics of Arundhati Roy everywhere." (Excerpt from website)

Please visit the official website for more information:

Why We Fight

Produced by Eugene Jarecki


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1 Hour and 39 Minutes

"In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing for granted. Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together." –Dwight D. Eisenhower, 1961

Inspired by Dwight Eisenhower's legendary farewell speech (in which he coined the phrase "military industrial complex"), filmmaker Jarecki (THE TRIALS OF HENRY KISSINGER) surveys the scorched landscape of a half-century's military adventures, asking how - and telling why - a nation of, by, and for the people has become the savings-and-loan of a system whose survival depends on a state of constant war.

The film moves beyond the headlines of various American military operations to the deeper question of why - why does America fight?  What are the forces - political, economic, ideological - that drive us to fight again an ever-changing enemy?

"Frank Capra made a series of films during World War II called WHY WE FIGHT that explored America's reasons for entering the war," Jarecki notes.  "Today, with our troops engaged in Iraq and elsewhere for reasons far less clear, I think it's crucial to ask the questions: 'Why are we doing what we are doing? What is it doing to others? And what is it doing to us?' (Excerpt from main website)

Please visit the official website for more information:

Year Zero - The Silent Death of Cambodia

Directed by John Pilger


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52 Minutes

"President Nixon and Mr. Kissinger unleashed 100,000 tons of bombs, the equivalent of 5 Hiroshimas. The bombing was their personal decision; they legally and secretly, they bombed Cambodia, a neutral country, back to the Stone Age. And I mean Stone Age in its literal sense."

John Pilger vividly reveals the brutality and murderous political ambitions of the Pol Pot / Khmer Rouge totalitarian regime which bought genocide and despair to the people of Cambodia while neighboring countries, including Australia, shamefully ignored the immense human suffering and unspeakable crimes that bloodied this once beautiful country. (Excerpt from video.google.com)

Please visit the official website for more information:

ZEITGEIST, Part 3 - Don't Mind The Men Behind The Iron Curtain

Produced by GMP


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47 Minutes

"Nazi Germany's war effort was largely supported by two organizations. One of which was called I.G. Farben...One of the unspoken partners of I.G. Farben was Rockefeller's Standard Oil company in America... This is just one small point on the topic of how American business funded both sides of World War II."

Zeitgeist was created as a non-profit filmiac expression to inspire people to start looking at the world from a more critical perspective and to understand that very often things are not what the population at large think they are. The information in Zeitgeist was established over a year long period of research and the current Source page on this site lists the basic sources used / referenced. Soon, an Interactive Transcript will be online with detailed footnotes and links so exact sources and further research can be relayed. (Excerpt from main website)

Please visit the main site for more information:

Zeitgeist: Addendum

Produced by Peter Joseph


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2 Hours and 3 Minutes

"We are seeing how very important it is to bring about in the human mind the radical revolution. The crisis is a crisis in consciousness. A crisis that cannot anymore accept the old norms, the old patterns, the ancient traditions, and considering what the world is now with all the misery, conflict, destructive brutality, aggression, and so on, man is still as he was, is still brutal, violent, aggressive, acquisitive, competitive, and he has built a society along these lines." –Jiddu Krishnamurti

The Zeitgeist Movement is not a political movement. It does not recognize nations, governments, races, religions, creeds or class. Our understandings conclude that these are false, outdated distinctions which are far from positive factors for true collective human growth and potential. Their basis is in power division and stratification, not unity and equality, which is our goal. While it is important to understand that everything in life is a natural progression, we must also acknowledge the reality that the human species has the ability to drastically slow and paralyze progress, through social structures which are out of date, dogmatic, and hence out of line with nature itself. The world you see today, full of war, corruption, elitism, poverty, epidemic disease, human rights abuses, inequality and crime is the result of this paralysis.

This movement is about awareness, in avocation of a fluid evolutionary progress, both personal, social, technological and spiritual. It recognizes that the human species is on a natural path for unification, derived from a communal acknowledgment of fundamental and near empirical understandings of how nature works and how we as humans fit into/are a part of this universal unfolding we call life. While this path does exist, it is unfortunately hindered and not recognized by the great majority of humans, who continue to perpetuate outdated and hence degenerative modes of conduct and association. It is this intellectual irrelevancy which the Zeitgeist Movement hopes to overcome through education and social action.

The goal is to revise our world society in accord with present day knowledge on all levels, not only creating awareness of social and technological possibilities many have been conditioned to think impossible or against "human nature", but also to provide a means to overcome those elements in society which perpetuate these outdated systems.

An important association, upon which many of the ideas of this movement are derived come from an organization called " The Venus Project" directed by social engineer and industrial designer, Jacque Fresco. He has worked nearly his entire life to create the tools needed to assist a design of the world which could eventually eradicate war, poverty, crime, social stratification and corruption. His notions are not radical or complex. They do not impose a subjective interpretation in their formation. In this model, society is created as a mirror of nature, with the variables predefined, inherently. (Excerpt from main website)

Please visit the official website for more information:

Zeitgeist: Moving Forward

Directed by Peter Joseph


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2 Hours and 45 Minutes

"In a decaying society, art, if it is truthful, must also reflect decay. And unless it wants to break faith with its social function, art must show the world as changeable, and help to change it." -Ernst Fischer

Zeitgeist: Moving Forward, by director Peter Joseph, is a feature length documentary work which will present a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society.

This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical "life ground" attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a "Resource-Based Economy". (Excerpt from main website)

Please visit the official website for more information:

War Directory

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War is All About Money and Control

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Auschwitz Survivor on Palestine

Dr. Hajo Meyer's Passionate Talk

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IBM and the Holocaust

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Dr. Dahlia Wasfi's Courageous Speech

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America: The Silence of a Nation

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Amazing Speech By War Veteran

The War is Not Offshores, It is Here at Home

warveteranspeech "Our real enemies are not those living in a distant land whose names or policies we don't understand; The real enemy is a system that wages war when it's profitable, the CEOs who lay us off our jobs when it's profitable, the Insurance Companies who deny us Health care when it's profitable, the Banks who take away our homes when it's profitable. Our enemies are not several hundred thousands away. They are right here in front of us." -Mike Prysner, Winter Soldier

Economic Hitmen

The Truth About Globalization

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Eisenhower Warns America

About The Military Industrial Complex

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Mike Gravel on the Military Industrial Complex

Gravel Raises The Important Issues

gravelmilitary Mike Gravel speaks out against the Military Industrial Complex and the growing concern over the growing force of America's militarism. Gravel raises the real issues that other presidential candidates dare not raise.

Blackwater: Shadow Army

The Privatization of War

blackwater In the business of killing, private corporations like Blackwater pay high wages to those willing to risk their own lives. But what happens when soldiers are controlled by corporations?

Galloway On Israel and Lebannon

Galloway Speaks The Truth About Israel

galloway Galloway does not hold back when it comes to speaking out against Israeli bombing of Lebannon in the Summer of 2006. Another example of the pro-Israeli stance held by the Mainstream Media.

The Shock Doctrine

The Rise of Disaster Capitalism

shockdoctrine Fear is the best method of control. Shock a person or a group of people long enough and they too will become obedient. An excellent video based on Naomi Klein's book 'The Shock Doctrine: The Rise of Disaster Capitalism.'

War Corporatism

How War Is a Racket

warcorporatism The Project of the New American Century is the ongoing project that is being pushed by the global elite through corporations in the military industrial complex and global institutions such as the World Bank and the International Monetary Fund.


CIA Mind Control Experiments

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Rex84, FEMA Concentration Camps in the United States

Martial Law is Creeping In...

rex84 There over 600 prison camps in the United States, all fully operational and ready to receive prisoners. They are all staffed and even surrounded by full-time guards, but they are all empty. These camps are to be operated by FEMA (Federal Emergency Management Agency) should Martial Law need to be implemented in the United States.

10 Steps to Fascism in America

Naomi Wolf - The End of America

naomiwolf Secret prisions, para-military forces, and an internal survellience system are just the start of the shift to fascism in America. Tt will be too late once journalists, anti-war protestors, and average citizens are arrested and detained as "enemy combatants". Spread the word.

Earth Inc.

A Video Essay of Our Times

earthinc Using music (Daft Punk - Technologic & Radiohead - Idioteque) and video clips from everyday television and movies (such as Clockwork Orange), the author of this amazing video portrays the mindset of our times: Money, Sex, Drugs, and Violence.

Who We Are

A Bunch Of Monkeys Really

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